21 Savage & Latto Pop It Meaning and Review 

Pop It from 21 Savage and Latto’s WHAT HAPPENED TO THE STREETS? is a track that immediately grabs attention with its hard-hitting energy, but it is a bit of a mixed bag in terms of execution. Produced by COUPE, the beat is undeniably strong and aggressive, designed for the club or street-ready playlists. The hi-hat-heavy percussion and booming 808s give the track a contemporary trap feel, and the repetitive hook creates a hypnotic quality meant to get stuck in your head. However, there are moments where the mix feels off. 21 Savage’s vocals often sit too prominently over the instrumental, which causes the bass to lose some of its intended punch. The hi-hat pattern, while initially driving, becomes somewhat monotonous as the song progresses.

21 Savage’s Verse

21 Savage’s verse leans heavily into street-centric storytelling, boasting about wealth, power, and the dangers of his environment. Lines like “In the hood with my shirt off / And I got my Glock hangin' out” and “God, turn your parkin' lot into a crime scene” are classic 21 Savage, unflinching, vivid, and menacing. His delivery is cold and deliberate, adding weight to the braggadocio and creating a contrast with the energetic beat. There is also a playful, almost absurd luxury element in his lyrics, like gifting a girl a shop because “her skin clean,” which adds texture and personality to the verse. Despite these highlights, the constant repetition of the hook slightly undercuts the verse’s impact, leaving it feeling like it is competing against the chorus rather than complementing it.

Latto’s Verse

Latto’s contribution brings a different flavor to the track, adding sexual bravado and flamboyant wealth flexes. Her verse is full of punchy imagery and clever wordplay, such as “Pop it like a rubber band, frying pan, soda can,” blending sexual innuendo with materialistic references in a way that matches the brash energy of the beat. Latto’s confident, animated delivery contrasts well with 21 Savage’s stoic cadence, creating a dynamic shift that lifts the track in the second half. Lines referencing luxury and independence such as “I go G5 when I fly, Maybach when I land” cement her persona as both indulgent and untouchable, keeping the listener engaged even as the instrumental remains repetitive.

Chorus and Production

The chorus and post-chorus sections lean heavily on repetition. “Pop it, pop it, pop it” cycles throughout the song in a hypnotic but ultimately shallow way. While the repetition works to make the track catchy and club-ready, it also exposes the weakness in the beat’s progression. COUPE’s production shines in individual moments, like the sparse breakdowns and punchy 808 hits, but overall the instrumental does not evolve enough to sustain interest over the three-plus minutes. The balance issue, where vocals overpower key elements of the beat, slightly diminishes the track’s intended impact.

21 Savage & Latto Pop It Review 

Overall, Pop It is a bold, high-energy track that benefits from 21 Savage and Latto’s charisma and confident performances, but it is held back by a static beat and mixing choices that prevent the bass from fully hitting. The track succeeds as a showcase of their personalities and a display of wealth and street credibility, but it does not quite reach the heights of innovation or dynamic production that some of the stronger tracks on WHAT HAPPENED TO THE STREETS? achieve. Fans will likely enjoy it for its catchy hook and braggadocious verses, but it may feel a little one-note in comparison to other standout moments on the album.

Listen To 21 Savage & Latto Pop It

21 Savage & Latto Pop It Lyrics Meaning Explained

The meaning of Pop It by 21 Savage & Latto is a celebration of wealth, power, confidence, and sexual bravado set against the backdrop of street culture. The song blends vivid depictions of luxury, from million-dollar cars and watches to private jets and designer fashion, with unflinching references to violence, loyalty, and territorial pride. At the same time, both artists assert dominance in sexual relationships, using playful, provocative imagery to convey control, independence, and desire. The repetitive hook, “Pop it, pop it,” serves as a mantra of flexing success, making moves with confidence, and commanding attention in both the club and the streets. Through this combination of wealth, street credibility, and sexual empowerment, Pop It constructs a braggadocious yet hypnotic anthem that underscores the power and self-assurance of its performers.

Introduction

The intro of Pop It immediately establishes the track’s energy and tone. 21 Savage begins with repeated affirmations, “Yeah, ye-yeah / Yeah, yeah, yeah, yeah,” which serve as hype ad-libs and minimalistic cues signaling confidence and readiness. This is followed by “Woah (COUPE),” a sonic punctuation mark that emphasizes anticipation and excitement, a staple in trap production that sets the stage for the verses to come.

Chorus

The chorus, dominated by the repetition of “Pop it, pop it, pop it, pop it, pop it, pop it, pop it, pop it / Pop it (Pop), pop it, pop it (Pop), pop it, pop it (Pop), pop it (Pop), pop it (Pop), pop it,” serves as both a hypnotic hook and a thematic declaration. Here, “popping” can reference dancing, flaunting wealth, or asserting dominance. Its repetition ensures memorability and positions the song as a club-ready anthem.

21 Savage’s Verse

In his first verse, 21 Savage emphasizes street authenticity and wealth through vivid imagery. He opens with “In the hood with my shirt off / And I got my Glock hangin' out,” establishing fearlessness and readiness for conflict. He reinforces territorial pride with “Eastside, nigga, I'ma bang it out,” and signals firepower with “Twenty superchargers when we swingin' out.” Lines like “Listenin' to the opps, you better not play it loud” serve as warnings against carelessness around enemies. He also includes playful, sexualized imagery, as in “Playin' with a kitty cat, meow,” where the animal metaphor represents intimacy and control. Wealth is highlighted with “Nine figure money, tall like Yao Ming,” stacking his financial power metaphorically tall and impressive. Violent tendencies are explicit in “God, turn your parkin' lot into a crime scene,” demonstrating willingness to carry out retribution publicly. Luxury and indulgence intermingle with sexual bravado in lines like “I gave that girl a Perc 'cause she like tryin' things” and “Ayy, I bought that girl a shop 'cause her skin clean.” He further flaunts opulence with “Walk you in Hermes and get you everything” while mixing humor and sexual hierarchy in “Ten bodies or less, you a fuckin' queen / If it's less than nine, condoms ain't a thing / And if it's less than eight, you get the fuckin' ring,” creating a playful codification of sexual worth.

Post-Chorus

The post-chorus extends these themes, contrasting status with others: “You broke, stop it, the hoes watchin'” calls out rivals, while “Million dollar cars / Million dollar watches” and “Real niggas hustle / Bitch niggas gossip” emphasize wealth and authenticity. 21 Savage underscores financial dominance with “I'm up nine figures / I show you how to pop it,” positioning success as a form of teaching and display.

Latto’s Verse

Latto’s verse introduces a complementary perspective, blending sexual confidence with wealth flexes. She opens with “Pop it like a rubber band / Frying pan, soda can,” where the rubber band references cash stacks and “pop it” metaphorically celebrates money, while the latter line serves as a playful rhyme. Her line “Thick as fuck, built like I dance” celebrates curvy female body types, emphasizing physicality and movement. Sexual dominance is explicit in “Fuckin' on this British man,” while opulence is conveyed in “Crib look like the Buckingham.” She continues the fusion of sexuality and power in “Ass be shakin' like it's jelly, but this G-Lock never jam,” blending compliment with readiness for violence. Further sexual imagery appears in “Pull them panties to the side, like a caravan / I ain't even get to shave, he don't give a damn,” while luxury travel and status are highlighted in “I go G5 when I fly, Maybach when I land.” Dominance and confidence are reinforced with “I walk in the wifey and walk out like the boogie man,” and sexual indulgence mixed with wealth is present in “Buy a Birk', I squirt, buy a car, I cream.” Latto asserts independence in “But he can't pay me none to let him cheat in peace” and distinguishes personal identity from money in “I told him that I'm mixed, but not with fuckin' green,” finally praising men who spend lavishly with “He spend more than an M, then that's a fuckin' king.”

Final Post-Chorus

The final post-chorus reiterates status and success: “You broke, clack, your nigga watchin' / Million dollar whips, million dollar watches / Real bitches hustle, weak bitches gossip / My crib seven figures, I show you how to pop it.” Latto reinforces themes of wealth, ambition, and dominance while closing the track with a confident, instructional tone on how to embrace power and success. Overall, Pop It uses both 21 Savage and Latto’s verses to interweave street credibility, sexual bravado, and luxury flexing, all anchored by a repetitive, hypnotic chorus that cements the song as both braggadocious and club-ready.

21 Savage & Latto Pop It Lyrics

[Intro: 21 Savage]

Yeah, ye-yeah

Yeah, yeah, yeah, yeah

Woah (COUPE)

[Chorus: 21 Savage]

Pop it, pop it, pop it, pop it, pop it, pop it, pop it, pop it

Pop it (Pop), pop it, pop it (Pop), pop it, pop it (Pop), pop it (Pop), pop it (Pop), pop it

[Verse 1: 21 Savage]

In the hood with my shirt off (21)

And I got my Glock hangin' out (21)

Eastside, nigga, I'ma bang it out (Pussy)

Twenty superchargers when we swingin' out

Listenin' to the opps, you better not play it loud (Bitch)

21, 4L, prrt, spray the crowd (Bitch)

Pick a L quarter ticket, bling blow (Bitch)

Playin' with a kitty cat, meow (Yeah)

Nine figure money, tall like Yao Ming

God, turn your parkin' lot into a crime scene (On God)

I gave that girl a Perc 'cause she like tryin' things (On God)

Wipe his nose, leave a nigga shirt lime green (Straight up)

Ayy, I bought that girl a shop 'cause her skin clean (Yeah)

Talk to me nice, baby, don't be mean (Don't be mean)

Go to sleep with me and wake up in a dream (21, 21)

Walk you in Hermes and get you everything (Everything)

A bitch that I ain't goin', I ain't never seen (Where she at?)

Ten bodies or less, you a fuckin' queen (And it's fat)

If it's less than nine, condoms ain't a thing (That's a fact)

And if it's less than eight, you get the fuckin' ring (Straight up)

[Chorus: 21 Savage]

Pop it, pop it (Pop), pop it (Pop), pop it (21), pop it (Pop), pop it (Pop), pop it (Pop), pop it (Pop)

Pop it (Pop), pop it (Pop), pop it (Pop), pop it (Pop), pop it (Pop), pop it (Pop), pop it (Pop), pop it (Pop)

[Post-Chorus: 21 Savage & Latto]

You broke, stop it (Pussy), the hoes watchin' (Pussy)

Million dollar cars (21), million dollar watches (21)

Real niggas hustle (21), bitch niggas gossip (21)

I'm up nine figures (21; Oh, you wanna see me pop it?)

I show you how to pop it (21; I got you)

[Verse 2: Latto]

Pop it like a rubber band,

Frying pan, soda can

Thick as fuck, built like I dance

Fuckin' on this British man

Crib look like the Buckingham

Ass be shakin' like it's jelly, but this G-Lock never jam (Damn)

Pull them panties to the side, like a caravan (Skrrt)

I ain't even get to shave, he don't give a damn (Ugh)

I go G5 when I fly, Maybach when I land (Yoom)

I walk in the wifey and walk out like the boogie man (Ah)

Buy a Birk', I squirt, buy a car, I cream (Car, I cream)

But he can't pay me none to let him cheat in peace (Cheat in peace)

I told him that I'm mixed, but not with fuckin' green (Fuckin' green)

He spend more than an M, then that's a fuckin' king

[Chorus: 21 Savage & Latto]

Pop it, pop it (Pop it), pop it (Pop it), pop it (Pop it), pop it (Pop it), pop it (Pop it), pop it (Pop it), pop it (Pop it)

Pop it (Uh), pop it (Uh), pop it (Uh), pop it (Uh), pop it (Uh), pop it (Uh), pop it, pop it (Pop it)

[Post-Chorus: Latto]

You broke, clack (Clack), your nigga watchin' (Yoom)

Million dollar whips (Skrrt), million dollar watches

Real bitches hustle (Uh-huh), weak bitches gossip (Ugh)

My crib seven figures (On God), I show you how to pop it (Pop it)