5 Seconds of Summer NOT OK Meaning and Review
- Burner Records
- 2 days ago
- 7 min read

“NOT OK” by 5 Seconds of Summer, the lead single from their highly anticipated album Everyone’s A Star, marks a bold and exciting shift in the band’s sound. From the very first fuzzy electronic guitar riff, the track immediately sets itself apart from anything 5SOS has previously done. The heavier, staggered instrumentation creates a hypnotic experimental feel while Luke’s almost-rap delivery infuses the track with a modern indie-pop rock edge. It is energetic, daring, and refreshingly unrestrained, signaling that the band is willing to push boundaries and redefine themselves.
Strategic Rollout
The rollout for “NOT OK” has been just as compelling as the song itself. On September 23, 2025, 5SOS teased fans with a 24-hour countdown on their merch store, accompanied by the cryptic message “5 SECONDS OF SUMMER IS NOT OKAY” and a presave link. That same day, they went further by archiving their Instagram posts, updating profile pictures, and teasing a free West Hollywood performance on the 24th in honor of the song’s release. This clever and immersive promotion strategy built anticipation and created a sense of urgency around the single, perfectly complementing the song’s raw energy.
Dark and Playful Lyrics
Lyrically, “NOT OK” dives into themes of duality, desire, and self-exploration. Luke opens with introspective verses that examine the “shadow side” we all carry, framing it as both alluring and dangerous. Lines like “You and I together, double homicide” and “Lucifer in every line, every night” convey a playful yet dark tension while the repeated pre-chorus imagery of “dipping a toe into the fire” captures the thrill of embracing one’s inner chaos. It is a complex layered exploration of identity, desire, and the push-pull dynamics of relationships, all delivered with a confident almost mischievous flair.
Infectious Hooks and Experimental Energy
Musically, the chorus is a standout moment that fuses 5SOS’ pop-rock roots with a punchy contemporary edge. The repeated line “Hey, I’m not okay / I like the darker side of me” is anthemic and memorable, supported by the catchy rhythmic “bite the apple, baby” motif. Michael’s harmonies enrich the texture while the instrumental break and interlude provide space for the band to flex their experimental tendencies. The track balances chaos and precision, showcasing both a darker edgier 5SOS and their ability to craft hooks that stick in the listener’s mind.
A Standout Moment
“NOT OK” is a triumphant first glimpse into Everyone’s A Star. It is adventurous, energetic, and unapologetically bold, capturing the essence of a band that refuses to play it safe. From the innovative production to the introspective at times chaotic lyrics, 5 Seconds of Summer demonstrate that they are not just evolving they are thriving. Fans and newcomers alike will find themselves drawn into the song’s intoxicating mix of indie pop-rock and experimental soundscapes, making “NOT OK” a standout moment in the band’s discography.
Listen To 5 Seconds of Summer NOT OK
5 Seconds of Summer NOT OK Lyrics Meaning Explained
The meaning of NOT OK by 5 Seconds of Summer is an exploration of embracing the darker, hidden sides of oneself and the intensity of relationships that bring those sides to light. The song delves into themes of desire, temptation, and duality, portraying the shadow side as both thrilling and destabilizing. Luke’s lyrics reveal a willingness to surrender to impulses while reflecting on the consequences, balancing moments of empowerment with vulnerability. From the imagery of biting the apple to references to invincibility and guilt, the track captures the exhilaration and chaos of surrendering to one’s inner instincts, framing emotional instability as a central part of human experience.
Verse 1: Shadow Side and Duality
“NOT OK” opens with Luke addressing the shadow side present in everyone, a concept drawn from Jungian psychology that represents the hidden, darker parts of the psyche. He immediately reframes this shadow as something positive, calling it his “better side” and the “call-me-up-if-you-wanna-feel-better side,” suggesting that embracing one’s inner chaos can be liberating and even comforting to others. The line “I'll put on my suit and tie to emphasize” is a likely callback to Haze, where Luke sings, “I put on the suit, I put on the tie,” reinforcing the idea of performing or presenting oneself deliberately while simultaneously embracing a wilder side. The verse closes with “You and I together, double homicide / Let's ride,” metaphorically capturing the intensity and thrill of being with someone who draws out both participants’ darker impulses.
Verse 2: Temptation and Obsession
The second verse continues this exploration of duality and temptation. Luke questions whether the person he is addressing is “my little genie or a parasite,” highlighting the ambivalence of relationships as sources of both inspiration and exhaustion. Lines such as “Girl, you keep the dream alive” suggest that this person fuels his creativity or fantasies, while “Why you got me staying crazy hours after closing time?” points to sleepless obsession driven by desire. The reference to “Lucifer in every line, every night” emphasizes the allure of temptation, framing the relationship in terms of rebellion and risk. The verse concludes with another nod to indulgence: “You and I together, we should take a bite / Let's ride,” with the “bite” referencing the biblical apple and reinforcing themes of temptation and forbidden pleasure.
Pre-Chorus: Risk and Desire
The pre-chorus reinforces the thrill and danger of indulgence. Luke sings, “I wanna dip my toe into the fire / Where did the good boy go? Killed by desire,” acknowledging that his previous self, the “good boy,” has been overtaken by passion and desire. The repetition of “On the edge / You make me wanna jump, jump, jump, jump, jump, jump, jump, jump” emphasizes the uncontrollable exhilaration and emotional risk of giving in to temptation, framing the relationship as both exciting and destabilizing.
Chorus: Embracing the Darker Self
The chorus functions as the emotional core of the track. Lines like “Hey, I'm not okay / I like the darker side of me, that part of me / Comes out to play when I'm with you, you” admit vulnerability and instability while embracing the thrill of the darker self. The repeated motif “(Bite, bite, bite) / Bite the apple, baby” draws on biblical imagery of temptation, reinforcing the song’s ongoing theme of desire and risk. The lyric “It's like a hammer to the brain, all my insane / Comes out to play when I'm with you, you” captures the overwhelming mental and emotional effect of love and attraction, balancing pleasure with chaos.
Verse 3 and Interlude: Vulnerability and Impulsivity
Verse three and the interlude add further emotional depth. Luke expresses a duality of experience in “Oh my god, I feel invincible / And when the sun comes up, I feel despicable,” contrasting nighttime freedom and empowerment with morning-time guilt and vulnerability. The line “And when my heart slows down, will you pick me up?” adds a plea for stability amidst chaos, while “But we can pause for now, I think I said enough” shows self-awareness and reflection. The interlude depicts late-night impulsivity: “Hey, give me a sip of it / It's 1 in the morning / Got these wheels rolling / It's 4 in the morning / All over the city,” culminating in “And I said I love you, but I didn't really mean it / I, I don't think, but / Anyways, turn it up,” which reflects a real-life moment of saying something in the heat of the moment without fully meaning it. The instrumental break mirrors the chaotic energy of the lyrics, leading back into the chorus and ultimately closing with the outro, “Oh my god, I feel invincible,” reinforcing empowerment and liberation through embracing the shadow side.
Themes and Symbolism
NOT OK explores themes of duality, temptation, and the exhilaration of embracing one’s darker impulses. The lyrics weave together introspection, desire, and relational intensity, with repeated biblical and psychological references grounding the song’s narrative. Musical elements like fuzzy guitars, staggered rhythms, and almost-rap delivery reflect the lyrical chaos, creating a seamless blend of indie, pop rock, and experimental sound that underscores the intoxicating, destabilizing energy of the song.
5 Seconds of Summer NOT OK Lyrics
[Verse 1: Luke]
Inside every one of us is a shadow side
I call it my better side
I call it the call-me-up-if-you-wanna-feel-better side
I'll put on my suit and tie to emphasize
You and I together, double homicide
Let's ride
[Verse 2: Luke]
Alright, are you my little genie or a parasite?
Girl, you keep the dream alive
Why you got me staying crazy hours after closing time?
Lucifer in every line, every night
You and I together, we should take a bite
Let's ride
[Pre-Chorus: Luke]
I wanna dip my toe into the fire
Where did the good boy go? Killed by desire
On the edge
You make me wanna jump, jump, jump, jump, jump, jump, jump, jump
[Chorus: All]
Hey, I'm not okay
I like the darker side of me, that part of me
Comes out to play when I'm with you, you
(Bite, bite, bite)
Bite the apple, baby
Hey, I'm not okay
It's like a hammer to the brain, all my insane
Comes out to play when I'm with you, you
(Bite, bite, bite)
Bite the apple, baby
[Verse 3: Luke]
Oh my god, I feel invincible
And when the sun comes up, I feel despicable
And when my heart slows down, will you pick me up?
But we can pause for now, I think I said enough, uh
[Pre-Chorus: Luke]
I wanna dip my toe into the fire
Where did the good boy go? Killed by desire
On the edge
You make me wanna jump, jump, jump, jump, jump, jump, jump, jump
[Chorus: All]
Hey, I'm not okay
I like the darker side of me, that part of me
Comes out to play when I'm with you, you
(Bite, bite, bite)
Bite the apple, baby
Hey, I'm not okay
It's like a hammer to the brain, all my insane
Comes out to play when I'm with you, you
(Bite, bite, bite)
Bite the apple, baby
[Interlude: Luke]
Hey, give me a sip of it
It's 1 in the morning
Got these wheels rolling
It's 4 in the morning
All over the city
And I said I love you, but I didn't really mean it
I, I don't think, but
Anyways, turn it up
Hey, hey, hey, hey
[Instrumental Break]
[Chorus: Michael, All]
Hey, I'm not okay
I like the darker side of me, that part of me
Comes out to play when I'm with you, you
Bite, bite, bite
Bite the apple, baby
Hey, I'm not okay
It's like a hammer to the brain
All my insane
Comes out to play when I'm with you, you
(Bite, bite, bite)
Bite the apple, baby
[Outro: Luke]
Oh my god, I feel invincible