CMAT Lord, Let That Tesla Crash Meaning and Review

Intimate and Melancholic Atmosphere

CMAT’s “Lord, Let That Tesla Crash” is a tender, melancholic exploration of grief and the peculiar ways we process loss. From the opening lines, the song establishes a slow, contemplative tone, carried entirely by delicate acoustic instrumentation. The simplicity of the arrangement allows CMAT’s voice and storytelling to take center stage, creating an intimate atmosphere that feels like confiding in a friend. Despite its sweet and soft delivery, the song carries an undercurrent of bitterness and frustration, reflecting the complex emotions that come with losing someone deeply loved. It is both soothing and wrenching, a bittersweet meditation on friendship, mortality, and lingering anger.

Raw and Honest Lyrics

Lyrically, the track is striking in its raw honesty. CMAT recounts her experience of losing a close friend for the first time, interweaving personal anecdotes with reflections on death, memory, and anger. Lines like “I don’t miss you like I should. But I kissed you all those times I shouldn’t have” capture the contradictory nature of grief, a mixture of longing, guilt, and unresolved feelings. Her imagery, often mundane yet intimate, such as the Tesla parked outside her friend’s old flat, grounds the song in a relatable reality. Even the seemingly trivial details take on emotional weight, revealing how grief can twist ordinary sights into symbols of loss.

Humor and Heartache

The verses showcase CMAT’s ability to blend humor with heartache. She references a co-dependent relationship with her friend’s dog, playful disputes over makeup, and moments of shared absurdity, creating a layered portrait of their bond. These moments of levity contrast sharply with the underlying sorrow, highlighting the complexity of mourning a friend. CMAT’s observational detail, paired with her unique narrative voice, makes the listener feel the depth of her anger, confusion, and love, all intertwined. The song becomes less a lament and more a snapshot of complicated human emotion in its rawest form.

Refrains That Hit Hard

The chorus drives the song’s emotional core, with repetition emphasizing the unresolved nature of CMAT’s feelings. Anger, guilt, and nostalgia collide in the refrain “I’m angered by that fact. Lord let that Tesla crash.” This striking line captures both the absurdity and the intensity of her grief, blending dark humor with poignant frustration. By juxtaposing mundane objects like a Tesla with profound emotional pain, CMAT conveys how grief can linger in everyday life, turning ordinary moments into emotional flashpoints. The song refuses to offer closure, reflecting the messy, unresolved feelings that follow the death of someone irreplaceable.

A Hauntingly Personal Track

“Lord, Let That Tesla Crash” is a hauntingly intimate work that demonstrates CMAT’s skill as both a songwriter and storyteller. Its delicate acoustic backdrop, emotional vulnerability, and candid exploration of friendship, loss, and anger make it one of the most personal and affecting tracks on Euro Country. The song lingers in the listener’s mind, balancing melancholy with dark humor, sweetness with frustration, and nostalgia with raw grief. It is an unflinching look at the human experience of losing someone you love, told with CMAT’s characteristic wit, honesty, and emotional precision. 

Listen To CMAT Lord, Let That Tesla Crash 

CMAT Lord, Let That Tesla Crash Lyrics Meaning Explained

The meaning of Lord, Let That Tesla Crash by CMAT is a deeply personal exploration of grief, loss, and the complicated emotions that follow the death of a close friend. The song captures the mixture of sorrow, anger, guilt, and nostalgia that arises when reflecting on someone irreplaceable, combining intimate storytelling with vivid, often surreal imagery. Through acoustic instrumentation and a slow, melancholic tempo, CMAT creates a space where small, mundane details—like a Tesla parked outside a flat—become symbols of unresolved emotions. The lyrics navigate memory, regret, and the absurdities of grief, illustrating how personal loss can manifest in both profound sorrow and dark humor. At its core, the song is an honest and unflinching meditation on the lingering impact of a friendship that has been abruptly taken away.

Verse 1: Phonetic Wordplay and Grief

CMAT’s “Lord, Let That Tesla Crash” opens with the lines, "I heard death comes in threes / I misheard it bein' from Dublin / I thought death's in the trees." The ‘th’ sound is often pronounced as ’t' in Irish accents, making ‘threes’ sound like ‘trees’ and CMAT references this phonetic play earlier on the album in “Tree Six Foive,” a spelling of ‘Three Six Five’ as sung in her accent. The imagery of dying trees mirrors grief and loss as inevitable forces of nature, emphasized in the lines, "Which makes sense cuz they're the saddest cunts of / Plants I have seen" and "Oh, the drama of them dying every year." The act of watching trees die parallels the cyclical nature of grief. She situates her memory in a shared domestic space, "I have seen, watched them dying from the window that we / Shared for two years with the dog that I was scared of," which reflects both intimate connection and discomfort. The line, "I went back, to our house, before your funeral," shows the confrontation with loss and memory before the formal rites of mourning.

Chorus: Anger and Guilt

The chorus, "I don't miss you like I should / But I kissed you all those times I shouldn't have," captures the contradiction of grief, blending longing with guilt over past moments. The Tesla parked outside the friend’s old flat, mentioned in "There's a Tesla outside your old flat / And all I have to show for you is how I'm angered by that fact," becomes a symbol of frustration, demonstrating how ordinary details can carry immense emotional weight in grief. The repetition of "I'm angered by that fact" emphasizes unresolved anger as a tangible residue of loss.

Verse 2: Humor, Metaphor, and Intimacy

In the second verse, CMAT revisits the dog, saying, "Let's go back, to the dog, how he almost made me end it / He was sick, and your god, lord you two were co-dependent." This could be a metaphorical reference to depression, as the dog may represent ‘the black dog,’ commonly used to symbolize mental health struggles. She expresses exasperation in, "I thought, 'Why? Waste your time? / When he's bitten all these ladies?'" while recalling her friend’s defense, "You said, 'Ciara, be nice! And you wear too much foundation.'" Using her real name, Ciara Mary-Alice Thompson, adds intimacy. She reflects on the friend’s unique affection in, "Figured out, when you died, that you liked me for the same things / We were loud, and so young, and so damaged and annoying / And if you didn't care for us then no one would," highlighting the irreplaceable nature of their bond.

Chorus Revisited: Devotion and Frustration

The chorus revisited in lines such as, "I don't miss you like I should / But I'd kill myself to find out if you think this song is good / 'There's no heaven,' you said, so I can't / And all I have to show for you is how I'm angered by that fact," underscores the mixture of devotion, dark humor, and frustration in CMAT’s grief. She longs for posthumous validation and struggles with the impossibility of reconciliation. Anger recurs as a central emotion, framing both sorrow and the absurdity of loss.

Verse 3 and Outro: Memory, Nostalgia, and Surreal Imagery

Verse three and the final chorus highlight isolation and memory, as in, "When I turned 22, I had no real friends to speak of / Who would watch me like you, if I'm honest I don't have one now," and "Dressed up, for the pub, felt so silly and quite underloved." Nostalgia is intertwined with vivid recollections of shared joy, as in, "Until, you were you, and pulled out all seven inches of / That song by Culture Club, I'd been yapping on about that month / I spun, you spun, in some attempt to make me happy and I was, I was, I was, I was." CMAT acknowledges the paralysis of grief in, "I don't miss you, because I can't / If I think too much about you, I go mad," while also expressing guilt in, "I'm so sorry I bitched behind your back / All I have to show for you is how I'm angered by that fact." Memories remain haunting and surreal, with "My memories are loaded with what I wanted, but I couldn't have with you / That picture's burnt on my TV / Now I watch Coronation Street through ghosts of you, all neon green / Your ghost is neon green" reflecting how ordinary life is colored by the absence of her friend. The closing lines, "I'm angered by the fact / Lord let that Tesla crash," combine absurdity, frustration, and grief into a final, piercing emotional statement.

CMAT Lord, Let That Tesla Crash Lyrics

[Verse 1]

I heard death comes in threes

I misheard it bein' from Dublin

I thought death's in the trees

Which makes sense cuz they're the saddest cunts of

Plants I have seen

Oh, the drama of them dying every year

I have seen, watched them dying from the window that we

Shared for two years with the dog that I was scared of

I went back, to our house, before your funeral

[Chorus]

I don't miss you like I should

But I kissed you all those times I shouldn't have

There's a Tesla outside your old flat

And all I have to show for you is how I'm angered by that fact

I'm angered by that fact

[Verse 2]

Let's go back, to the dog, how he almost made me end it

He was sick, and your god, lord you two were co-dependent

I thought, 'Why? Waste your time?

When he's bitten all these ladies?'

You said, 'Ciara, be nice! And you wear too much foundation'

Figured out, when you died, that you liked me for the same things

We were loud, and so young, and so damaged and annoying

And if you didn't care for us then no one would

[Chorus]

I don't miss you like I should

But l'd kill myself to find out if you think this song is good

'There's no heaven,' you said, so I can't

And all I have to show for you is how I'm angered by that fact

I'm angered by that fact

[Verse 3]

When I turned 22, I had no real friends to speak of

Who would watch me like you, if I'm honest I don't have one now

Dressed up, for the pub, felt so silly and quite underloved

Until, you were you, and pulled out all seven inches of

That song by Culture Club, I'd been yapping on about that month

I spun, you spun, in some attempt to make me happy and I was, I was, I was, I was

[Chorus]

I don't miss you, because I can't

If I think too much about you, I go mad

I'm so sorry I bitched behind your back

All I have to show for you is how I'm angered by that fact

I don't miss you, but then I shouldn't

My memories are loaded with what I wanted, but I couldn't have with you

That picture's burnt on my TV

Now I watch Coronation Street through ghosts of you, all neon green

Your ghost is neon green

[Outro]

I'm angered by the fact

Lord let that Tesla crash

I'm angered by the fact

Lord let that Tesla crash

I'm angered by the fact

Lord let that Tesla crash

I'm angered by the fact

Lord let that Tesla crash