EsDeeKid & Timothée Chalamet 4 Raws (Remix) Meaning and Review

A Myth Fueled Opening

“4 Raws (Remix)” arrives already drenched in myth, and EsDeeKid smartly leans into that energy rather than running from it. The track opens exactly how fans would want it to, with EsDeeKid’s signature “4 Raws” chorus, cold and menacing, reaffirming his presence before the internet circus kicks in. His balaclava mystique, Liverpool grit, and warlord imagery remain intact, grounding the remix in the same grimy world as the original. That choice matters because it frames Timothée Chalamet not as the main event, but as a guest stepping into EsDeeKid’s universe.

Internet Rumors Become the Narrative

The long running rumor that Chalamet and EsDeeKid were secretly the same person is what gives this remix its strange cultural electricity. By appearing on the song and standing next to EsDeeKid in the video, Chalamet seemingly shuts the theory down, though the tongue in cheek nature of the collaboration keeps the joke alive. It genuinely feels like “Batman ft. Bruce Wayne,” where the reveal is less about answers and more about enjoying the spectacle. The remix doubles as both music and commentary on internet obsession.

Chalamet’s Self Aware Verse

Chalamet’s verse is surprisingly confident and self aware. Rather than attempting to fully adopt UK street rap conventions, he leans into his celebrity persona, referencing wealth, fashion, film roles, and his own meme status. Lines about Kylie Jenner, Marty Supreme, and Hollywood excess feel intentionally flashy and exaggerated, but that works in context. He understands that this moment is not about lyrical dominance, but about embracing the absurdity while still riding the beat smoothly.

Blurring Cultures and Worlds

There is a playful cultural blend throughout Chalamet’s verse. References to Peckham, Wrexham, Arrakis, and Mordor merge UK rap slang with blockbuster fantasy and football culture, echoing EsDeeKid’s habit of mixing street realism with epic war imagery. Producer Wraith9 keeps the beat dark and spacious, allowing both artists to coexist without clashing. Chalamet sounds like an outsider, but a knowingly self aware one, which ultimately helps the feature land.

EsDeeKid Reclaims the Spotlight

In the end, “4 Raws (Remix)” succeeds because it never forgets whose song it is. EsDeeKid closes strong with his chorus and post chorus, reasserting his dominance and reminding listeners why “4 Raws” caught fire in the first place. The remix does not dilute the original but reframes it, turning a bizarre fan theory into a fully realized pop culture moment. Whether seen as a novelty, a marketing masterstroke, or a genuinely entertaining crossover, the track earns its viral attention by fully embracing the chaos.

Listen To EsDeeKid & Timothée Chalamet 4 Raws

EsDeeKid & Timothée Chalamet 4 Raws Lyrics Meaning Explained

The meaning of 4 Raws (Remix) by EsDeeKid & Timothée Chalamet is centered on the collision between underground UK rap authenticity and hyper visible Hollywood celebrity, using internet mythology as fuel rather than something to deny. The track transforms a viral fan theory into narrative substance, pairing EsDeeKid’s dark, warlike street imagery with Chalamet’s self aware, exaggerated portrayal of fame, wealth, and cultural dominance. Instead of undermining the original song, the remix reframes it as a commentary on identity, spectacle, and modern relevance, blurring the line between performance and reality in a way that feels intentional and culturally tuned in.

Opening Context

The meaning of “4 Raws (Remix)” by EsDeeKid featuring Timothée Chalamet is rooted in street bravado, internet mythology, and self aware celebrity flexing. The remix directly plays into the viral rumor that Chalamet was secretly EsDeeKid, while still preserving EsDeeKid’s grim UK rap identity. The lyrics alternate between EsDeeKid’s violent, warlike imagery and Chalamet’s exaggerated Hollywood persona, creating an intentional contrast that sits at the core of the track.

Post Chorus Meaning

“Pull up, I've gotten me sword drawn” reflects UK street culture, where knife crime has become more prevalent due to strict gun laws. Instead of firearms, criminals are often associated with blades such as machetes or swords, and EsDeeKid uses this imagery to project danger and readiness for violence.

“I'm rotten, I'm sick when I pour fours” refers to “pouring fours,” slang for mixing four ounces of lean into a drink. EsDeeKid describes physical and mental deterioration tied to substance abuse, suggesting addiction rather than glorification.

“Every time I smoke, I light four Raws” references RAW rolling papers, exaggerating heavy consumption while reinforcing the recurring “four” motif central to the song’s identity.

“Okay” is producer Wraith9’s recognizable tag, functioning not just as a signature but as a rhythmic vocal element that reinforces the rebellious mood of the track.

Verse Meaning: Timothée Chalamet

“Pour a pint of that dirty” mirrors EsDeeKid’s earlier lyrics and references lean, signaling that Chalamet is stepping into EsDeeKid’s sonic world rather than parodying it.

“Timmy Tim 'bout thirty” references Chalamet’s real life high school rap persona, Lil Timmy Tim, while acknowledging his age and maturity, framing this verse as a grown evolution rather than a novelty.

“Still sippin' dirty” continues the lean imagery, reinforcing indulgence and excess.

“Still puttin' work in” counters assumptions that his success comes without effort, emphasizing consistency and grind.

“Got your girl Birkin” uses the Birkin bag as a symbol of extreme wealth and desirability, functioning as a luxury flex.

“Even though I'm jerkin', jerkin', I'm jerkin'” leans into shock humor and exaggerated sexual bravado, intentionally blurring seriousness and parody.

“It's Himothée Chalamet chillin'” plays on the slang term “him,” asserting dominance and cultural relevance.

“Tryna stack a hundred million, girl got a billion” references his relationship with Kylie Jenner, highlighting the scale of wealth surrounding him rather than insecurity.

“What the fuck? What a wonderful feelin'” expresses disbelief and awe at his own success, blending celebration with excess.

“Hand to the ceiling, hands to the uh” mimics freestyle energy, reinforcing spontaneity rather than polished delivery.

“Since 2017, I'm livin' the dream” points to his 2017 breakout in Call Me by Your Name, framing his career as a continuous rise since then.

“I'm gettin' the cream, I'm livin' on theme” uses “cream” as slang for money, while “living on theme” suggests alignment between public persona and real life.

“I'm doin' my thing, it's Marty Supreme” directly promotes his 2025 film Marty Supreme.

“It's Marty Supreme, it's Marty Su uh” cuts off mid bar, adding humor and reinforcing branding obsession.

“Flex, flex, man, I'm flexin'” mirrors a lyric from EsDeeKid’s song “Dirty,” subtly linking their identities and feeding into the internet rumor narrative.

“Got a can of Coke and that cheque in” is a double entendre referencing a Scouse accent meme that sounds like “chicken and a can of Coke,” blending UK internet culture with wealth flexing.

“Got model bitches in Peckham” flips expectations by placing high fashion models in a working class London area, echoing EsDeeKid’s earlier references to foreign models.

“I'm Ryan Reynolds in Wrexham” compares Chalamet to Ryan Reynolds, who co owns Wrexham AFC, suggesting dominance across entertainment and business.

“I'm havin' fun, just sextin'” casually admits indulgence and excess, reinforcing the playful tone of the verse.

“My dick is young and restless” continues the exaggerated sexual bravado introduced earlier, intentionally provocative and unserious.

“When they say I'm too senseless” acknowledges criticism aimed at his involvement in rap culture.

“I respond like, ‘Bitch, you guessed it’” references OG Maco’s 2014 viral song “U Guessed It,” embracing accusations rather than denying them.

“My life is an opera, look at the Oscars” compares his life to an opera, dramatic and grand, while referencing real world awards recognition.

“Look at the groupies, look at the movies” contrasts fan obsession with his filmography, showing how fame permeates all aspects of his life.

“Look at the triple A girl goin', ‘Choose me’” uses “triple A” to indicate elite status, nodding again to Kylie Jenner and top tier celebrity circles.

“Look at my haters, man, they wanna sue me” exaggerates how fame attracts jealousy and legal threats, blending humor with braggadocio.

“Chill in the coupe, in the four door” is a luxury flex that mirrors EsDeeKid’s “four man deep” line, subtly tying their verses together.

“Live on Arrakis and Mordor” references Arrakis from Dune, where Chalamet stars, and Mordor from The Lord of the Rings, placing him between heroism and darkness.

“I live like the king with my sword drawn” nods to his role as King Henry V in The King, merging filmography with EsDeeKid’s blade imagery.

“It's that Marty Supreme and the four Raws” closes the verse by merging his movie persona with EsDeeKid’s core branding, symbolizing the collaboration itself.

Chorus Meaning: EsDeeKid

“I'm four man deep in this German” refers to riding with three others in a German car, such as a BMW, Audi, or Mercedes.

“And I'm whippin' it 'round the suburban” suggests reckless driving through suburban neighborhoods, implying escape or pursuit.

“Plod are on chase, gotta make the excursion” uses UK slang for police, framing the scene as a chase.

“So I manage this shit like I'm Jürgen” references Jürgen Klopp, symbolizing leadership and control under pressure.

“Went from Henny to sippin' on Bourbon” contrasts flashy youth culture with a more mature, refined lifestyle.

“I've switched to a different person” reinforces personal growth through success.

“Cut to the chase, now they call me the surgeon” uses wordplay around cutting, violence, and precision.

“All over the net, I'm a burden” acknowledges rising fame and overexposure, framing relevance as something overwhelming to others.

Post Chorus Meaning: EsDeeKid

“I'm a warlord” possibly references Yung Lean’s Warlord album, reinforcing underground influences.

“Kilos under the floorboards” implies drug trafficking and constant police pressure.

“Rammin' the whip through the store door” describes a smash and grab robbery, continuing the heavy vehicle imagery.

“EsDeeKid, I'm from Mordor” embraces villain imagery, positioning himself as the antagonist.

“I'm puttin' me name on the scoreboard” uses a sports metaphor for winning and cementing his legacy.

“Pull up, I've gotten me sword drawn” returns to consistent violence imagery.

“I'm rotten, I'm sick when I pour fours” again highlights addiction rather than glamorization.

“Every time I smoke, I light four Raws” closes the song by returning to its central motif of excess, repetition, and identity.

Closing Interpretation

“4 Raws (Remix)” functions as both a song and a cultural event. EsDeeKid maintains his dark, street rooted persona, while Timothée Chalamet performs an exaggerated version of himself, turning internet speculation into spectacle. The lyrics intentionally blur authenticity and performance, making the remix feel less like a gimmick and more like a commentary on fame, identity, and modern mythmaking.

EsDeeKid & Timothée Chalamet 4 Raws Lyrics

[Post-Chorus: EsDeeKid & Timothée Chalamet]

[...]

Pull up, I've gotten me sword drawn (Okay)

I'm rotten, I'm sick when I pour fours

Every time I smoke, I light four Raws (Okay)

[Verse: Timothée Chalamet]

Pour a pint of that dirty

Timmy Tim 'bout thirty (Phew)

Still sippin' dirty (Lean, lean)

Still puttin' work in (Let's go)

Got your girl Birkin (Schwep)

Even though I'm jerkin', jerkin', I'm jerkin'

It's Himothée Chalamet chillin'

Tryna stack a hundred million, girl got a billion

What the fuck? What a wonderful feelin'

Hand to the ceiling, hands to the— uh

Since 2017, I'm livin' the dream

I'm gettin' the cream, I'm livin' on theme

I'm doin' my thing, it's Marty Supreme

It's Marty Supreme, it's Marty Su— uh

Flex, flex, man, I'm flexin'

Got a can of Coke and that cheque in

Got model bitches in Peckham

I'm Ryan Reynolds in Wrexham

I'm havin' fun, just sextin'

My dick is young and restless

When they say I'm too senseless

I respond like, "Bitch, you guessed it"

My life is an opera, look at the Oscars

Look at the groupies, look at the movies

Look at the triple A girl goin', "Choose me"

Look at my haters, man, they wanna sue me

Chill in the coupe, in the four door

Live on Arrakis and Mordor

I live like the king with my sword drawn

It's that Marty Supreme and the four Raws

[Chorus: EsDeeKid]

I'm four man deep in this German

And I'm whippin' it 'round the suburban

Plod are on chase, gotta make the excursion

So I manage this shit like I'm Jürgen

Went from Henny to sippin' on Bourbon

I've switched to a different person

Cut to the chase, now they call me the surgeon

All over the net, I'm a burden

[Post-Chorus: EsDeeKid]

I'm a warlord, kilos under the floorboards

Rammin' the whip through the store door

EsDeeKid, I'm from Mordor

I'm puttin' me name on the scoreboard

Pull up, I've gotten me sword drawn

I'm rotten, I'm sick when I pour fours

Every time I smoke, I light four Raws (Okay)

[Outro]

Okay

Okay