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Future Brazzier Meaning and Review

Updated: Sep 23


Introduction: Synth-Driven Intensity

"Brazzier," a standout track from Future’s Mixtape Pluto, that embodies the signature trap-heavy sound that has defined much of his career. The production is dominated by an intense, distorted synth that feels massive from the start, followed by a beat switch that ups the ante. This transition introduces sharp, pointed synths and a deep bass drum that shakes the track to its core. The instrumentals are almost cinematic, giving the song a menacing energy, and Future matches this perfectly with his smooth, laid-back delivery. He rides the beat with ease, letting his voice melt into the track, amplifying its intensity.



Boastful Lyrical Imagery

Lyrically, "Brazzier" showcases Future's ability to blend braggadocio with vivid imagery, creating an atmosphere that's both lavish and raw. The opening verse is full of boasts about wealth and power, including high-end purchases, drug references, and sexual conquests. Future flaunts his status as one of the biggest in the game with lines like, "I took them cheap prices up high, I'm really the biggest homie you got," delivering his bars with a confidence that feels unshakable. His choice of words is bold and unfiltered, fitting for the trap genre, and it's clear that he isn’t holding back when it comes to flaunting his lifestyle.


A Chorus of Chaos and Indulgence

The chorus of "Brazzier" is a declaration of chaos and indulgence. Lines like, "Heavy sedated, intoxicated, I'ma go crazy, I gotta go brazzier," speak to a sense of reckless abandon. It’s a theme that resonates with much of Future’s catalog, where he often blends a luxurious lifestyle with the darker side of excess. The hook itself is catchy and hypnotic, serving as an anchor for the track, and it’s easy to imagine the audience chanting along to this at live performances.



Street Life and Survival in Verse 2

In the second verse, Future dives deeper into street life, reflecting on his past hustles and the violent world that still surrounds him. His lyrics continue to blur the lines between wealth and danger, as he speaks on flipping packs and carrying weapons. Future’s use of metaphors like “My niggas ain’t no construction workers, but they love playin’ with sand” adds depth to the gritty imagery. His cool, collected delivery only heightens the tension, as he stays in control while describing a chaotic environment. There's a raw authenticity in how he describes his rise from the streets to superstardom.


Future Brazzier Review: Future's Trap Mastery

"Brazzier" is a high-energy track that encapsulates Future's mastery of trap music. From its distorted synths to its booming bass, every element of the production hits hard, while Future’s flow rides effortlessly over the beat. Lyrically, it’s a powerful display of his unapologetic lifestyle and attitude, and it serves as a reminder of why Future remains one of the most influential voices in trap. Whether you’re drawn in by the production or the sheer bravado of Future’s lyrics, "Brazzier" is a track that demands attention.


Listen to Future Brazzier 



Future Brazzier Lyrics Meaning Explained

The meaning of "Brazzier" by Future is a portrayal of reckless indulgence, power, and wealth, wrapped in the gritty realities of street life and the opulence of his success. The term "brazzier" plays on the slang "brazy," meaning crazy, highlighting Future's chaotic, often reckless lifestyle driven by excess, drugs, and violence. Throughout the song, Future blends vivid imagery of luxury, sexual conquest, and drug use with reflections on his rise from the streets to global fame. His lyrics convey a life where success is intertwined with danger, and extravagance comes with both personal and external challenges.


Future's "Brazzier" Lyric Analysis

Intro

“Pluto

Gon' kick my shit, know that

Let me pop my shit (Southside), let me pop my shit”

In the intro, Future references his alter ego, Pluto, a persona he's used since the release of his 2012 album Pluto. This nickname ties him to outer space themes, representing how distant he feels from ordinary life due to his fame and success. "Let me pop my shit" is a phrase emphasizing confidence, essentially telling listeners he's about to show off his lifestyle and achievements unapologetically. The mention of Southside refers to producer Southside, who contributes to the track's hard-hitting production.



Verse 1

“I took them cheap prices up high

I'm really the biggest homie you got”

These opening lines reflect Future's transformation from his past in the drug trade. He boasts about inflating the cost of his products—likely referring to drugs—marking his rise to power and status. He confidently claims to be a dominant figure, not just in music but also in the streets.


“I'll fuck a rapper bitch in the whip

Bought her a verse, give her a lil' clout”

Future talks about his influence in the music industry, mentioning how his relationships with women, even those linked to other rappers, help boost their reputation ("give her a lil' clout"). This also emphasizes how his presence can elevate someone’s status, simply by association.


“Tippy-toe, tiptoe, fuckin' this bitch on the marble”

This line interpolates Rick Ross's chorus from French Montana’s 2012 song “Marble Floors.” Future uses it to paint a vivid picture of luxury, referring to having sex on expensive marble floors, a symbol of wealth and success.


“I got real coke, real cocaine on my collar”

Future directly references his past dealings with drugs, hinting that his experiences with selling and using cocaine are authentic. This aligns with his frequent themes of drug use and street life.


“She a nympho, benzo, bitch just hit the lotto

Put them yellow diamonds on a black bitch, call her Mulatto”

Here, Future describes a woman with a hypersexual appetite ("nympho") and compares her to winning the lottery in terms of her desirability. The “yellow diamonds on a black bitch” reference plays on racial dynamics and wealth, with a nod to Mulatto (now known as Latto), a rapper of mixed race.



“Bitch drink 1940 deuce like Moscato

She the butt-naked truth and this bitch swallow”

Future continues describing indulgence with a woman drinking 1942 (an expensive tequila) as if it were Moscato (a more affordable wine). “The butt-naked truth” speaks to the woman's openness and boldness, while "this bitch swallow" is a sexually explicit line emphasizing her complete submission.


“I got a habit, takin' chicks out, goin' out the mall

I drink lean, but I'm a big dog, so I bought the bar”

Future reflects on his lavish spending habits, mentioning shopping sprees and his consumption of lean (codeine cough syrup). However, he elevates himself by saying he’s “a big dog,” meaning his success allows him to do things on a grander scale, like buying out entire bars.


Chorus

“Go on and throw your gang sign up if that's what you on

If I fucked her more than one time, that shit hittin' for somethin'”

The chorus alludes to gang culture, encouraging listeners to represent their affiliations. The line about sleeping with a woman multiple times suggests that if he does it more than once, there’s a real connection or significance to the relationship.


“Yeah, heavy sedated, intoxicated

I'ma go crazy, I gotta go brazzier”

Future speaks about being under the influence of drugs and alcohol, a recurring theme in his music. “Brazzier” is his twist on the word "brazy" (a slang term for crazy, often used in gang culture), emphasizing how he’s about to act recklessly due to intoxication.



Verse 2

“I get fronts and backs, Chanel bandana around the MAC, yeah”

Future references selling drugs (“fronts and backs”) while sporting a Chanel bandana around his MAC (a firearm). This blends luxury fashion with street culture, showcasing how he merges these two worlds in his life.


“My niggas ain't no construction workers, but they love playin' with sand”

This clever metaphor compares sand to drugs, particularly cocaine or heroin, which are often referred to as “sand” in slang. His crew isn’t involved in regular labor but deals with illegal substances.


“Touchin' down in Wakanda, goin' international on the 'Gram”

Here, Future references Wakanda from Black Panther, symbolizing wealth, power, and dominance. "Goin' international on the 'Gram" shows that his influence extends globally, as he showcases his travels and wealth on Instagram.


“Mask on, mask off, make that purgin' shit a trend”

This line echoes his hit song "Mask Off" and refers to wearing masks during violent acts, particularly referencing The Purge movies, where crime runs rampant. Future suggests that this violent, lawless behavior is becoming normalized.


“I'm the realest nigga she fucked, so that make the pussy a virgin again”

In this line, Future asserts his dominance and self-worth by claiming that after being with him, a woman essentially starts fresh because of the level of experience he provides.



Future Brazzier Meaning

Future's lyrics in "Brazzier" explore themes of wealth, power, indulgence, and street life. The song is a bold, unfiltered expression of his lifestyle, blending drug references with luxury and reflecting his roots in the streets. The use of interpolations, metaphors, and explicit imagery adds to the track's gritty yet glamorous appeal.



Future Brazzier Lyrics

[Intro]

Pluto

Gon' kick my shit, know that

Let me pop my shit (Southside), let me pop my shit


[Verse 1]

I took them cheap prices up high

I'm really the biggest homie you got

I'll fuck a rapper bitch in the whip

Bought her a verse, give her a lil' clout

Tippy-toe, tiptoe, fuckin' this bitch on the marble

I got real coke, real cocaine on my collar

She a nympho, benzo, bitch just hit the lotto

Put them yellow diamonds on a black bitch, call her Mulatto

Bitch drink 1940 deuce like Moscato

She the butt-naked truth and this bitch swallow

Took a whole month from the day I met hеr and spent a million dollars

I just made her еx pissed off, all the shit I bought

I got a habit, takin' chicks out, goin' out the mall

I drink lean, but I'm a big dog, so I bought the bar

Dick her down 'til her body start shakin', she in shock

I talk drugs, I talk diamonds, I talk money, Ashallah

Give you cake, happy birthday, I'ma fuck her raw

That's my bitch, I'm throwin' a Rollie on her arm

Turn a baddie to a boss overnight, she a star

My lil' bitch hittin' them licks every day, credit card

Woah, woah, woah, I'm in the deep end, swimmin' with the sharks

Woah, woah, woah, I'm in 'Biza, lettin' these freaks suck my cock

My bitch stayin' down with me, shootin' stars, oh, Lord

I take st— sticks with me and I take killers where I go

'Bout to go count a mil' ticket 'til my wrist lock up

Fuck another check up every time we leave the store

Popped so many tags, I forgot how many cars I got

Wrapped a soldier rag 'round the gun, Louis Vuitton


[Chorus]

Go on and throw your gang sign up if that's what you on

If I fucked her more than one time, that shit hittin' for somethin' (That shit hittin' for somethin')

Yeah, heavy sedated, intoxicated

I'ma go crazy, I gotta go brazzier

One in the top, one in the cut

Once it's stuck, then it's up


[Verse 2]

I get fronts and backs, Chanel bandana around the MAC, yeah

I ain't trippin', if you slip, you gon' get whacked, yeah

Same nigga, before I rapped, flippin' packs, yeah

Keep it cool, don't front the mood, play the back, yeah

My niggas ain't no construction workers, but they love playin' with sand (Woo)

I just bust down another Rol' and put emeralds in the band (Yeah)

Touchin' down in Wakanda, goin' international on the 'Gram ('Gram)

I don't go nowhere without my hammer, that's not in the plan (Nope)

She must be hittin' for somethin' if I ever fucked her again

Mask on, mask off, make that purgin' shit a trend

I'm the realest nigga she fucked, so that make the pussy a virgin again

I send them goons lil' deep, deep, deep, they comin' through to spin (Slatt)

I send them goons lil' deep, deep, deep (Yeah), they comin' through to— (What's happenin'?)


[Chorus]

Go on and throw your gang sign up if that's what you on

If I fucked her more than one time, that shit hittin' for somethin' (That shit hittin' for somethin')

Yeah, heavy sedated, intoxicated

I'ma go crazy, I gotta go brazzier

One in the top, one in the cut

Once it's stuck, then it's up







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