Jessie Murph Blue Strips Meaning and Review

A Southern Voice in a Pop World

Jessie Murph delivers a fierce, attitude-soaked pop anthem with Blue Strips, effortlessly blending country-rooted vocals with a sleek, synth-driven production. The song opens with a stripped-back piano intro that sets a vulnerable tone before launching into a confident and bass-heavy beat. It’s this transition from soft and reflective to unapologetically bold that gives Blue Strips its punch, allowing Jessie’s twangy vocal tone to shine in an unexpected pop setting.

Country Meets Club

Her voice carries a southern grit that feels unique in this context, almost like a country-pop crossover without ever fully committing to one side. That balance gives Blue Strips its edge. It sounds like a track made for radio but carries the bite and defiance of a diss track. The production is polished, but Jessie’s vocal delivery keeps it grounded and raw, adding to the track’s emotional weight and authenticity.

Revenge in Style

Lyrically, Blue Strips is all about revenge, empowerment, and moving on in style. Jessie doesn’t just get even—she levels up. Lines like “Got a new damn mansion in Malibu” and “Throwing ones at your bitch” are brash, but purposefully so. They reflect a calculated kind of confidence, one that’s fully aware of the pain but refuses to let it show weakness. Instead, she weaponizes her success as a form of retribution, all while maintaining a steady “Boy, I ain't mad” mantra that makes the track both catchy and cutting.

A Chorus That Cuts Deep

The repetition in the chorus and bridge works well, driving the song’s message home without feeling redundant. Instead, the hook grows more anthemic with each pass, especially when paired with the pounding rhythm section and layered synths. It’s the kind of chorus that’s built to stick in your head, with Jessie’s slightly mocking tone adding just the right amount of bite to make it memorable.

Blue Strips Review

Ultimately, Blue Strips is a standout track that highlights Jessie Murph’s ability to straddle genre lines while delivering a clear artistic statement. It’s a kiss-off song dressed as a pop banger, but with enough emotion and detail to feel personal. With this track, Jessie proves she’s more than capable of carving out her own lane—one where southern charm meets big city vengeance, all wrapped up in a glittery, unbothered bow.

Listen to Jessie Murph Blue Strips

Jessie Murph Blue Strips Lyrics Meaning Explained

The meaning of Blue Strips by Jessie Murph is a powerful exploration of revenge, empowerment, and moving on after betrayal. Through the lyrics, Jessie portrays a journey of reclaiming control and confidence following the end of a relationship. The song uses money, success, and personal transformation as key elements in demonstrating how she’s gotten back at her ex. With references to her newfound wealth, a mansion in Malibu, and the strategic use of her own allure, Blue Strips becomes an anthem for those who rise above the pain of betrayal and find strength in their independence.

Intro: Denial and Revenge

The Intro of Blue Strips starts with Jessie Murph repeatedly stating, "Boy, I ain't mad." This line sets the tone for the song, with Jessie outwardly denying any anger, yet her actions and the rest of the lyrics suggest the opposite. It serves as a defense mechanism, signaling that she’s not upset, even though everything in the song indicates otherwise. This sets up the theme of controlled, calculated revenge—a key driver in the track’s message.

Verse 1: Independence and Empowerment

In Verse 1, Jessie declares, "I just bought a mansion in Malibu," which immediately signals her newfound success after a breakup or betrayal. The mansion represents not just material wealth, but independence and empowerment. It’s a clear symbol of moving on, showing that Jessie has risen above the situation. The line "You know how I get with an attitude" reinforces the idea that she is no longer holding back. She is ready to show her ex that she’s not just surviving but thriving, and her success is a way of getting back at them.

Pre-Chorus: Power, Money, and Revenge

The Pre-Chorus introduces the phrase "blue strips," referencing the blue security strip found on U.S. $100 bills. This is a metaphor for money and power, and Jessie uses it to demonstrate how she’s now using financial success to flaunt her revenge. The line "Bare tits in the strip club" continues this rebellious attitude, while "Throwing ones at your bitch" directly targets her ex's new partner, showcasing how Jessie is using her empowerment to one-up them both. The phrase "I'm going home, I’mma take it off for him" shows how she’s stripping away the emotional baggage and wrongs of her ex, symbolizing her desire to move on and take control.

Chorus: Reaffirming Revenge and Success

In the Chorus, Jessie repeatedly sings, "Boy, I ain't mad," which echoes the intro and reaffirms her denial of anger. The phrase "I had to get back at you" appears throughout, underlining the song’s central theme of revenge. With lines like "Got a new man" and "Got a new damn mansion in Malibu," Jessie presents her success as the ultimate act of getting even. She uses her newfound lifestyle—both the material wealth and romantic relationships—as a form of retribution, showing that she’s better off without her ex.

Verse 2: Emotional Struggle and Preparation for Confrontation

In Verse 2, Jessie reflects on her internal battle, singing, "Smoking cigarettes on balconies / I ain’t jumping, but I’ll die to settle scores." The imagery of smoking on a balcony suggests a sense of isolation or deep thought, while the line "I ain’t jumping, but I’ll die to settle scores" reveals her willingness to go to extreme lengths emotionally to resolve the conflict, even if it’s not literal. It underscores the emotional weight of the revenge and the desire for closure. "All your bidness getting back to me" implies that her ex's actions are still reaching her, and "You don’t know it but it’s 'bout to be a war" further suggests that she’s preparing for some kind of confrontation, whether external or internal.

Pre-Chorus Reprise: Strength and Control

The Pre-Chorus is repeated once more, reinforcing Jessie’s power and the use of money, success, and her physicality as tools for revenge. "I’m going home, I’mma take it off for him" emphasizes how she’s metaphorically stripping down the wrongs of her past, using her strength and confidence to reclaim control. The repetition of this section shows her resolute stance, as she moves on from the hurt and uses it to fuel her own empowerment.

Bridge: Final Declaration of Victory

The Bridge succinctly reinforces the song’s themes of revenge and success. By repeating "Had to get back at you / I just bought a mansion in Malibu," Jessie emphasizes that her material gains are the way she’s gotten even. It’s a triumphant moment, reminding her ex that she’s come out on top. The line reiterates her emotional and financial victories, encapsulating the essence of the song—Jessie has not only survived but thrived, and she did it all in spite of them.

Jessie Murph Blue Strips Lyrics 

[Intro]

Boy, I ain't mad

Boy, I ain't mad

Boy, I ain't mad at you

I had to get back at you

I had to get back at you

[Verse 1]

I just bought a mansion in Malibu

You know how I get with an attitude

[Pre-Chorus]

Yeah, you got me throwing blue strips

Bare tits in the strip club

Throwing ones

At your bitch

And I know you know what's going on

I'm going home, l'ma take it off for him

I'ma strip down all your wrongs, yeah

[Chorus]

Boy, I ain't mad

Boy, I ain't mad

Boy, I ain't mad at you

I had to get back at you

I had to get back at you, yeah

Got a new man

Got a new damn mansion in Malibu

I had to get back at you

I had to get back at you

[Verse 2]

Smoking cigarettes on balconies

I ain't jumping, but I'll die to settle scores

All your bidness getting back to me

You don't know it but it's 'bout to be a war, yeah

[Pre-Chorus]

Blue strips

Bare tits in a strip club

Throwing ones

At your bitch

And I know you know what's going on

I'm going home, l'ma take it off for him

I'ma strip down all your wrongs, yeah

[Chorus]

Boy, I ain't mad

Boy, I ain't mad

Boy, I ain't mad at you

I had to get back at you

I had to get back at you, yeah

Got a new man

Got a new damn mansion in Malibu

I had to get back at you

I had to get back at you

[Bridge]

Had to get back at you

I just bought a mansion in Malibu

[Chorus]

Boy, I ain't mad

Boy, I ain't mad

Boy, I ain't mad at you

I had to get back at you

I had to get back at you, yeah

Got a new man

Got a new damn mansion in Malibu

I had to get back at you

I had to get back at you

Boy, I ain't mad

Boy, I ain't mad

Boy, I ain't mad at you

I had to get back at you

I had to get back at you, yeah

Got a new man

Got a new damn mansion in Malibu

I had to get back at you

I had to get back at you