Lil Baby Let's Do It Meaning and Review
- Burner Records
- 8 minutes ago
- 9 min read

Opening with Celebration
Lil Baby’s “Let’s Do It,” featuring Playboi Carti and Skooly, opens The Leaks mixtape with a celebratory, almost carnival-like energy that immediately sets it apart from conventional trap fare. The production from Clif Shayne, DJ Moon, and KP Beatz layers bright, bouncy melodies over a classic trap foundation, creating a soundscape that is equal parts festive and indulgent. The track’s backdrop, with its playful synths and high-energy percussion, gives the song an almost circus-like vibe, making it the perfect canvas for the rappers’ larger-than-life performances. It is a party track that feels as spontaneous as it does meticulously crafted.
Playboi Carti’s Flamboyant Verse
Playboi Carti takes the first verse and refrain, immediately commanding attention with his signature ad-libs and off-kilter flow. His lyrics are a mix of luxury flexes and cultural references, from spending on a Brabus to dropping a nod to Tame Impala, balancing braggadocio with playful irony. Carti’s approach encapsulates the song’s theme of enjoying the spoils of success without pretense, and his delivery carries a carefree, celebratory energy that is infectious. The refrain itself, repeated with subtle variations, gives the song an anthemic quality that is easy to latch onto and highlights the synergy between Carti and the track’s upbeat instrumental.
Skooly and Lil Baby’s Dynamic Contributions
Skooly’s contribution adds another layer of texture to the song, with his chorus serving as a rallying call that bridges the flamboyance of Carti with Lil Baby’s grounded storytelling. Lil Baby’s verse follows, offering a reflective yet boastful perspective on his rise from humble beginnings to a life of wealth and influence. He weaves in references to Atlanta’s ’90s hip-hop culture, nods to figures like Flavor Flav, and touches on controversial topics like the drug trade with lines such as “sellin’ bricks like J-Bo.” Despite the gritty undertones, the track never loses its celebratory momentum, showing Baby’s ability to balance reflection with flamboyance.
Visuals and Storytelling
The song’s lyrical content perfectly complements its visuals in the “Let’s Do It” music video, which is a whirlwind of cars, money, and designer fashion. The opulence depicted onscreen mirrors the lyrics’ emphasis on wealth, style, and indulgence, reinforcing the track’s overarching theme of living large. Every element, from Carti’s eccentric references to Baby’s grounded Atlanta storytelling, feels intentional, creating a cohesive world of high-energy escapism that fans can fully immerse themselves in.
Final Thoughts
“Let’s Do It” is a standout track on The Leaks, successfully blending celebratory trap energy with clever lyricism and vibrant production. Lil Baby, Playboi Carti, and Skooly each shine, delivering performances that are both distinct and complementary. The song captures the essence of a life fully lived, one marked by luxury, hard-earned success, and unapologetic fun. With its infectious hooks, dynamic verses, and celebratory tone, “Let’s Do It” solidifies itself as one of the mixtape’s most memorable moments and a testament to Lil Baby’s continued influence in modern trap music.
Listen To Lil Baby Let's Do It
Lil Baby Let's Do It Lyrics Meaning Explained
The meaning of Let’s Do It by Lil Baby is a celebration of success, wealth, and the rewards of a hard-earned rise from humble beginnings. The song highlights the lavish lifestyle that comes with fame, from luxury cars and designer fashion to extravagant parties and exclusive experiences, while also reflecting on Atlanta street culture and personal history. Collaborating with Playboi Carti and Skooly, Lil Baby blends braggadocio with playful references and cultural nods, creating a track that balances indulgence, loyalty, and self-expression. At its core, Let’s Do It is both a party anthem and a testament to perseverance, showcasing how the artists enjoy the fruits of their labor while remaining connected to their roots.
Intro: Skooly
The intro, performed by Skooly, sets the tone for the track with repeated ad-libs and shoutouts. Lines like “—Up? (What? What?)” and “Uh, what's up? (Uh, Rich Kidz)” function as hype-building cues common in trap music, energizing listeners and emphasizing Skooly’s affiliation with Rich Kidz and his alias SkoolBoi. The repetition throughout the intro creates a ritualistic, party-ready atmosphere, immediately establishing the celebratory energy that carries through the rest of the song.
Refrain: Playboi Carti
Carti opens the refrain with “Yeah, spend that shit on a Brabus, look at my ho, she the baddest, uh (Pop out),” flaunting his wealth through a reference to Brabus, the German luxury car tuner. The line “Yeah, black boy, white boy swag, but I'm tatted like I'm Spanish” references Carti’s 2016 track Black N White, connecting this song to his earlier work. The subsequent line “We go SVJ, it's a pool party, text me when you landin'” highlights his extravagant lifestyle with a nod to the Lamborghini Aventador SVJ, pool parties, and exclusivity, reflecting both wealth and social status.
Verse 1: Playboi Carti
Carti continues with “Uh, pop out just like the Rich Kidz, play with them numbers like Latto,” referencing his Atlanta rap collective and using Latto as a double entendre for the lottery. Lines like “Sittin' in the Corvette with two vibes, molly on the ho” and “I put some molly on them hoes” depict indulgence, partying, and drug use. Carti blends this with cultural references and luxury flexes, including “I put some swagger on that ho, Juelz Santana on my phone,” which nods to the legendary rapper. Fashion and wealth are emphasized in “Red bandana, I'm in mode, old-ass hundreds caught mold” and “Maison Margiela my redbone, SRT for the young boys,” referencing expensive clothing, women, and high-performance vehicles.
Carti continues the theme of lavish spending in “Spend a whole mill' in the borough, put it in the pot for tomorrow” and gifting luxury items with “Yeah, we goin' shoppin' tomorrow, I'm puttin' my bitch in Armani.” Party culture and energetic behavior are highlighted in “Pop it off, shake up the lobby (Ah), everything we do is atomic (Say twin),” while style and irony are expressed in “Pink Polo, color salmon (Woah), swag deadly, I'm so ironic.” Carti’s eclectic taste appears in “Rock it out, Tame Impala, hundred M's, fuck goin' to college,” mixing psychedelic rock references with anti-college sentiment. Geographical and lifestyle references, such as “South Atlanta, came with my posse, G6, it's not no Roxy,” reinforce luxury travel and party culture. He continues with “Big bitch, I built the body, geeked up, they talk about me” and “Spin through a lil' molly, stolen car with no mileage,” blending car culture with intoxication and risk-taking. Carti emphasizes secrecy and influence in “Omertà Gang, they don't know about it, geeked up like a co-pilot” and asserts that wealth speaks louder than words in “I ain't gotta say nothin', baby, money gon' talk for me, I can stay quiet.”
Verse 2: Lil Baby and Playboi Carti
Lil Baby contributes grounded storytelling alongside Carti. Lines such as “Name banging, gang banging, gun slinging, chain takers (Ayy)” reference street credibility and hustler culture, while “Dope boy lifestyle (Ayy), Chrome Heart with no label (Ayy)” blends illicit pasts with high fashion. He contrasts poverty and success in “Mama couldn't afford cable, now the big house with no neighbors (Ayy),” reflecting on the fruits of his rise. Lil Baby combines braggadocio with cultural references in “Real P, I had to put it down, I'm your bitch favorite now (Ayy)” and “Bitches like I'm Flavor Flav, takin' this shit day by day (Ayy),” nodding to hip-hop history.
He references intoxication and hustler culture in “Geeked like Fabo, sellin' bricks like J-Bo now (Ayy),” with J-Bo referencing Chad J-Bo Brown of the Black Mafia Family. Atlanta pride appears in “Youngin got rich off of hits, real Atlanta '90s baby shit,” while anti-education sentiment returns in “I ain't go to high school, I was in the school high (Ayy).” Lil Baby reflects on youthful partying and street life in “I been on some young, turnt shit, way before Skooly dropped this” and “House party, we was throwin' dubs, stolen cars to the teen clubs (Ayy),” and emphasizes loyalty in “I don't got to lift a finger up, brodie'nem get shit done.” References to street fashion and hustle culture appear in “We was all night on them corners, black Nike boots, white ones,” while luxury and influence are underscored in “Put the Patek on the Vacheron, mob business, living like a don.” Responsibility and family support appear in “Bro got knocked, I'm takin' care of his son” and “Send another hundred to my mom (Ayy),” and leisure is expressed in “Go and take a trip, have fun, Metro Boomin in the blunt.” Lil Baby concludes with long-term thinking in “Ain't out here hustlin' for nothin', tryna leave a billi' to my sons,” emphasizing generational wealth.
Chorus and Refrain
The chorus, performed by Skooly and Lil Baby, repeats “Pop out just like the Rich Kidz, hold up, let's do it,” serving as a call to action and tying together the energy of Carti and Baby’s verses. The refrain’s repetition of lines about the Brabus, the pool party, and “black boy, white boy swag” reinforces themes of luxury, identity, and celebration. The lyrics weave together wealth, indulgence, Atlanta pride, personal history, and loyalty, blending playful cultural references, luxury flexes, and street credibility into a cohesive celebratory anthem.
Lil Baby Let's Do It Lyrics
[Intro: Skooly]
—Up? (What? What?)
Uh, what's up? (What? What?)
Uh, what's up? (Uh, Rich Kidz)
Uh, what's up? (And SkoolBoi)
Uh, what's up? (What? What?)
Uh, what's up? (What? What?)
Uh, what's up? (Uh, Rich Kidz)
Uh, what's up? (And SkoolBoi)
[Refrain: Playboi Carti]
Yeah, spend that shit on a Brabus, look at my ho, she the baddest, uh (Pop out)
Yeah, spend that shit on a Brabus, look at my ho, she the baddest (Woah)
Yeah, black boy, white boy swag, but I'm tatted like I'm Spanish
We go SVJ, it's a pool party, text me when you landin'
[Verse 1: Playboi Carti]
Uh, pop out just like the Rich Kidz, play with them numbers like Latto
Sittin' in the Corvette with two vibes, molly on the ho
Uh, uh, uh, I put some molly on them hoes
I put some swagger on that ho, Juelz Santana on my phone
Red bandana, I'm in mode, old-ass hundreds caught mold
Maison Margiela my redbone, SRT for the young boys
Spend a whole mill' in the borough, put it in the pot for tomorrow
Yeah, we goin' shoppin' tomorrow, I'm puttin' my bitch in Armani
Pop it off, shake up the lobby (Ah), everything we do is atomic (Say twin)
Pink Polo, color salmon (Woah), swag deadly, I'm so ironic
Rock it out, Tame Impala, hundred M's, fuck goin' to college
South Atlanta, came with my posse, G6, it's not no Roxy
Big bitch, I built the body, geeked up, they talk about me
Spin through a lil' molly, stolen car with no mileage
Omertà Gang, they don't know about it, geeked up like a co-pilot
I ain't gotta say nothin', baby, money gon' talk for me, I can stay quiet
[Refrain: Playboi Carti]
Yeah, spend that shit on a Brabus, look at my ho, she the baddest
Yeah, spend that shit on a Brabus, look at my ho, she the baddest
Yeah, black boy, white boy swag, but I'm tatted like I'm Spanish
We go SVJ, it's a pool party, text me when you landin'
[Chorus: Skooly]
Pop out just like the Rich Kidz, hold up, let's do it (Pop out just like the Rich Kidz)
Pop out just like the Rich Kidz, hold up, let's do it (No, seriously)
Pop out just like the Rich Kidz, hold up, let's do it
Pop out just like the Rich Kidz, hold up, let's do it (Let's do it)
[Verse 2: Lil Baby & Playboi Carti]
Name banging, gang banging, gun slinging, chain takers (Ayy)
Dope boy lifestyle (Ayy), Chrome Heart with no label (Ayy)
Mama couldn't afford cable, now the big house with no neighbors (Ayy)
Real P, I had to put it down, I'm your bitch favorite now (Ayy)
Bitches like I'm Flavor Flav, takin' this shit day by day (Ayy)
Geeked like Fabo, sellin' bricks like J-Bo now (Ayy)
Youngin got rich off of hits, real Atlanta '90s baby shit
I ain't go to high school, I was in the school high (Ayy)
I been on some young, turnt shit, way before Skooly dropped this
House party, we was throwin' dubs, stolen cars to the teen clubs (Ayy)
I don't got to lift a finger up, brodie'nem get shit done
We was all night on them corners, black Nike boots, white ones
Put the Patek on the Vacheron, mob business, living like a don
Bro got knocked, I'm takin' care of his son
Send another hundred to my mom (Ayy)
Go and take a trip, have fun, Metro Boomin in the blunt
Ain't out here hustlin' for nothin', tryna leave a billi' to my sons
[Chorus: Skooly & Lil Baby]
Pop out just like the Rich Kidz, hold up, let's do it (Pop out just like the Rich Kidz, ayy, let's do it)
Pop out just like the Rich Kidz, hold up, let's do it (No, seriously, yeah, yeah)
Pop out just like the Rich Kidz, hold up, let's do it (CBFW on these motherfuckers)
Pop out just like the Rich Kidz, hold up, let's do it (Let's do it)
[Refrain: Playboi Carti]
Yeah, spend that shit on a Brabus, look at my ho, she the baddest
Yeah, spend that shit on a Brabus, look at my ho, she the baddest
Yeah, black boy, white boy swag, but I'm tatted like I'm Spanish
We go SVJ, it's a pool party, text me when you landin'
