Westside Gunn Power House Hobbs Meaning and Review

“Power House Hobbs” from Westside Gunn’s Heels Have Eyes 2 is one of the grimiest and most aggressive cuts on the project, balancing Gunn’s usual fly, painterly imagery with a harder, more electronic driven instrumental. The beat is tense and mechanical, leaning heavier into aggression than many of Gunn’s typically understated, atmospheric loops. Right from the intro, Gunn sets the tone by dismissing internet drama and fake beefs, sharpening the record’s edge before even delivering a bar. It feels like a warning shot, a declaration that this track is all about dominance, confidence, and raw execution.

Westside Gunn’s First Verse

On his first verse, Westside Gunn glides in with his signature unbothered cadence, but there is an undeniable sharpness in the way he delivers each line. Even when he is calm, there is venom in his words. Lines like “The bag flip like Will Ospreay” and “Penthouse in Giza, I could see Mount Fuji” highlight his knack for merging wrestling references, international luxury, and drug imagery into one seamless aesthetic. What makes it hit harder is the delivery, he never raises his voice, but the confidence bleeds through, making every flex and threat land with authority. The electronic production only amplifies this tension, forcing Gunn’s calm menace to cut through with even greater clarity.

Title Reference and Central Image

The centerpiece of the track comes with the line “Desert Eagle so big, I nicknamed it Power House Hobbs”, which cements both the title’s meaning and the track’s thematic core. It is a moment of pure intimidation, referencing the sheer destructive power of his weapon while tying it back to Hobbs the powerhouse wrestler, creating a vivid image of brute force. This is Gunn at his best, weaving references from wrestling, street culture, and luxury fashion into a surreal but deadly portrait of his world. The track almost feels like a flexed out action sequence, where Gunn is both narrator and participant.

Benny the Butcher’s Verse

Benny the Butcher’s verse is a highlight in itself, and it balances Gunn’s cool, artistic menace with razor sharp technicality and grit. Benny comes in hungry, addressing critics who think he might have lost a step, only to prove he is still surgical with his coke rap storytelling. His wordplay is tight, filled with clever flips like “Compressi’ on the TEC sound like I opened a Pepsi” and “That brick ain’t clean, we call it decaf.” He mixes humor, street wit, and violent imagery into a relentless flow, reminding listeners why he is one of the sharpest pens in Griselda. His verse has an immediacy that contrasts Gunn’s cool detachment, giving the song dynamic range.

Power House Hobbs Review

“Power House Hobbs” is one of the standouts on Heels Have Eyes 2, showcasing Gunn at his most confident and Benny at his most calculated. The production feels harsher and more aggressive than much of Gunn’s catalog, but it works perfectly with the lyrical themes and energy both rappers bring. The balance of Gunn’s icy delivery and Benny’s rapid fire grit makes the track a masterclass in Griselda chemistry. This is not just another coke rap anthem, it is a flex of dominance both in the streets and in the rap game, and it solidifies why Gunn continues to hold his place as one of hip hop’s most consistent stylists.

Listen to Westside Gunn Power House Hobbs 

Westside Gunn Power House Hobbs Lyrics Meaning Explained 

The meaning of Power House Hobbs by Westside Gunn is a declaration of dominance, confidence, and mastery over both the streets and the rap game. The track combines vivid imagery of cocaine distribution, luxury living, and violent retribution with references to wrestling, fashion, and personal history, creating a cinematic portrait of Gunn’s world. The title itself, referencing a Desert Eagle and wrestler Powerhouse Hobbs, symbolizes overwhelming strength and lethal precision, reflecting the themes of power and intimidation that run throughout the song. Gunn’s laid-back yet menacing delivery contrasts with Benny the Butcher’s sharp, technical verses, highlighting the duo’s chemistry while reinforcing their status as authoritative figures in the Griselda universe. Overall, the song is both a flex of skill and a testament to the calculated, high-stakes life they depict in their lyrics.

Intro: Westside Gunn

The song opens with an aggressive intro from Westside Gunn. Lines like “Ayo, fuck these niggas, Lord” and “Ayo, y'all niggas is fuckin' bums” immediately dismiss rivals as beneath him. He criticizes clout-chasing in “All this fake-ass beef and battling shit / All this internet shit ain't workin’”, rejecting the idea that online antics have real weight. By repeating “Shit is fuckin' trash, man / I'm not im-fuckin'-pressed”, Gunn establishes that he is unimpressed with the rap game’s current landscape. This sets the stage for the track’s confident, combative energy.

Verse 1: Westside Gunn

Westside Gunn’s first verse is filled with imagery that combines the drug trade, violence, and luxury. He starts with “the coke flake / The bag flip like Will Ospreay”, likening the flipping of cocaine bags to wrestler Will Ospreay’s aerial flips. He highlights the risks of hustling with “Also died on the way (Mhm)”, before stressing retaliation in “Nigga tried to violate mine, I made him pay (Boom, boom, boom, boom, boom).” When confronted, he feigns ignorance in Spanish with “Faze in my face, I say, ‘Yo no sé’.” The verse continues to mix street detail and wealth: “CLS with the silver plates (Skrrt)” references his luxury Mercedes, while “Bricks came fishy lately / I threw off sample for a wake and bake” describes testing drug quality. He nods to his brother with “I pray Chine Gun went to heaven” and fashions luxury grief in “He died fly / Balenciaga tye-dye.” Gunn also flexes with lines like “Balmain skinnies, bum niggas think I’m bougie” and “Dolph Camo Range, sport truck finished Gucci.” Violence returns in “I’m locked in, two hands on a Uzi” and surreal luxury in “Penthouse in Giza, I could see Mount Fuji.” He diminishes his rivals in “Bum niggas lookin’ like ants” and attacks their credibility with “You ain’t never had a brick with a stamp.” The verse also depicts wealth with “You ain’t never had Fendi furniture, 5K for the lamp” and recalls hustler struggles in “When money machines broke, we had to count through the cramps.” His tools of the trade appear in “Triple beams gleamin’, don’t fail me now”, and his environment is described in “I was on the block with tweakers, with a loaded four-pound.” Gunn stacks intimidation with “Magazine got a hundred rounds, do you foul” and laments imitators in “Everybody wanna copy Flygod’s style.” He accuses rappers of stealing while denying it with “Niggas nonchalant, actin’ like they not stealing,” ending the verse with chilling imagery in “Until you in the tub, pop a drill in they ceiling.”

Verse 2: Westside Gunn

The second verse is more personal and reflective. Gunn recalls early moments in hustling with “Remember that rush when I got my first half a block” and “Remember that first snapback, nigga, pass the Glock.” He celebrates his skill in the kitchen with “Whipped it so good, last batch made astronauts”, suggesting his cocaine was so strong it sent users to space. With “Sit in the kitchen, J. Prince Sr., I rap a lot,” he aligns himself with Rap-A-Lot Records founder J. Prince, a figure known for power and street credibility. Violence resurfaces in “Told my shooter, ‘Shoot everything, nigga, that’s your job,’” and the verse culminates with the central metaphor: “Desert Eagle so big, I nicknamed it Power House Hobbs.” This comparison to wrestler Powerhouse Hobbs conveys the sheer size and destructive power of his weapon.

Interlude: Benny the Butcher and Westside Gunn

The interlude sets up Benny the Butcher’s verse. Lines like “We gon' do this shit (Four letters, nigga), let me do this shit like this” and “The Butcher comin', nigga” introduce his entrance while maintaining the aggressive energy of the track.

Verse 3: Benny the Butcher

Benny the Butcher delivers sharp, technical bars, opening with “Niggas think I lost it, let's see, who down to bet me?” and “I'll be ready, when y'all ready, let's go (Check please),” directly addressing doubters. He describes his lethal aura with “There's blood on my cleaver neckpiece, just mean I'm deadly.” His violent wit shines in “Compressi' on the TEC sound like I opened a Pepsi.” He then references past work with “From Shower Shoe Lords, to Power Tool Boys,” linking his and Gunn’s earlier collaboration to their current dominance. Benny ties cocaine dealing to pool in “If y’all putting eights on corners, it go down in pool halls,” and recalls trafficking with “I drove through states, cross borders in a car that's too small.” His dominance expands with “I can put weight on a corner in every town of New York.” He shows inner conflict in “I'm having mixed thoughts / Every time I pull up to my plug apartment / If I should use this ski mask in my glove compartment.” His craft appears in “Pop up in a ghost face, I made that fork rotate,” which doubles as a Ghostface Killah nod while describing whipping cocaine. He boasts purity in “I sold a hundred bricks and still can't tell you how coke tastes.” Unlike others, he doesn’t test it with gums but instead explains “I check it with my thumbs / To see how hard it is, I try to press it 'til its crumbs.” He outlines his come-up with “I went from catfish to sea bass, street math / Crashed whips to G class.” Weak product is mocked in “That brick ain't clean, we call it decaf,” followed by a coffee wordplay in “I smell Folgers when I sell yola.” Benny recalls hustling even in jail with “I used to make plays in jail, we had to yell to the cell over.” He layers meanings in “I broke the pot when I stuck my fork in the 'caine” which could be a cocaine-cooking line or a subliminal diss at Freddie Gibbs, nickname Kane. He finishes with “Autographed the brick and I signed it 'Scorpion Gang',” branding his cocaine like art before ending with his signature tag, “Butch.”

Westside Gunn Power House Hobbs Meaning

Together, these verses form a vivid portrait of Griselda’s dual ethos. Gunn paints surreal luxury-crime imagery with calm menace, while Benny delivers precise street storytelling filled with violent wit. The track is grounded in cocaine imagery, violence, and luxury while incorporating wrestling references, fashion nods, and layered subliminal disses. “Power House Hobbs” demonstrates the chemistry between Gunn and Benny, combining stylistic flair with technical mastery to create a track that is both cinematic and gritty.

Westside Gunn Power House Hobbs Lyrics 

[Intro: Westside Gunn]

Ayo, fuck these niggas, Lord (Ayo, fuck these niggas, Lord)

Ayo, y'all niggas is fuckin' bums

All this fake-ass beef and battling shit

All this internet shit ain't workin'

Shit is fuckin' trash, man

I'm not im-fuckin'-pressed (This what y’all niggas gotta do now?)

Shit trash

[Verse 1: Westside Gunn]

Ayo (Ah), the coke flake (Ah)

The bag flip like Will Ospreay

Also died on the way (Mhm)

Nigga tried to violate mine, I made him pay (Boom, boom, boom, boom, boom)

Faze in my face, I say, "Yo no sé" (Yo no sé)

CLS with the silver plates (Skrrt)

Bricks came fishy lately

I threw off sample for a wake and bake (Ah)

Rabbit came back with fifty, I gave him seven

If you know what I know, I pray Chine Gun went to heaven (Rest in peace, Chine Gun)

I prayed up in the sky, he died fly

Balenciaga tye-dye (Rah, rah, rah, rah, woo)

Balmain skinnies (Ah), bum niggas think I'm bougie

Dolph Camo Range, sport truck finished Gucci

I'm locked in, two hands on a Uzi (Rrrt)

Penthouse in Giza, I could see Mount Fuji (Ah, it's up there)

Bum niggas lookin' like ants

You ain't never had a brick with a stamp (Uh-uh)

You ain't never had Fendi furniture, 5K for the lamp

When money machines broke, we had to count through the cramps (Woo)

Triple beams gleamin', don't fail me now

I was on the block with tweakers, with a loaded four-pound (Boom, boom, boom, boom, boom)

Magazine got a hundred rounds, do you foul (Grrt)

Everybody wanna copy Flygod's style

Niggas nonchalant, actin' like they not stealing (Uh)

Until you in the tub, pop a drill in they ceiling

[Verse 2: Westside Gunn]

Ayo, remember that rush when I got my first half a block (Ah)

Remember that first snapback, nigga, pass the Glock (Boom, boom, boom, boom, boom)

Whipped it so good, last batch made astronauts (Whip)

Sit in the kitchen, J. Prince Sr., I rap a lot (Ah)

Told my shooter, "Shoot everything, nigga, that's your job" (Boom, boom, boom, boom, boom)

Desert Eagle so big, I nicknamed it Power House Hobbs (Woah)

[Interlude: Benny the Butcher & Westside Gunn]

We gon' do this shit (Four letters, nigga), let me do this shit like this

The Butcher comin', nigga (Yeah, uh-huh)

[Verse 3: Benny The Butcher]

Niggas think I lost it, let's see, who down to bet me? (Bet me)

I'll be ready, when y'all ready, let's go (Check please)

There's blood on my cleaver neckpiece, just mean I'm deadly (I'm deadly)

Compressi' on the TEC sound like I opened a Pepsi

From Shower Shoe Lords, to Power Tool Boys

If y'all putting eights on corners, it go down in pool halls (Hahaha)

I drove through states, cross borders in a car that's too small

I can put weight on a corner in every town of New York (Yeah)

I'm having mixed thoughts (What you think about it?)

Every time I pull up to my plug apartment

If I should use this ski mask in my glove compartment

Pop up in a ghost face, I made that fork rotate (Uh-huh)

I sold a hundred bricks and still can't tell you how coke tastes

I don't test it with my gums (Uh-huh), I check it with my thumbs (That's what you do?)

To see how hard it is, I try to press it 'til its crumbs

I went from catfish to sea bass, street math

Crashed whips to G class

That brick ain't clean, we call it decaf (We call that decaf)

I smell Folgers when I sell yola (I sell yola)

I used to make plays in jail, we had to yell to the cell over

I broke the pot when I stuck my fork in the 'caine

Autographed the brick and I signed it "Scorpion Gang"

Butch