Young Thug Dreams Rarely Do Come True Meaning and Review

“Dreams Rarely Do Come True,” the 19th track on Young Thug’s UY SCUTI, is a standout moment on the album, primarily due to Mariah The Scientist’s emotive opening. Her vocals immediately set a reflective and vulnerable tone, delivering lines that explore apprehension, self-awareness, and the pressures of expectations in a relationship. Mariah’s lyricism, with lines like "Thinking that these are the makings of a perfect woman" and "No one even shows appreciation," encapsulates a sense of quiet frustration and emotional exhaustion that contrasts beautifully with the grandeur of Thug’s typical bravado. Her performance not only establishes the song’s mood but also elevates it, giving the track a cinematic quality that lingers.

Young Thug’s Intimate and Indulgent Delivery

Young Thug’s entrance is carefully constructed to follow the slow-building instrumental, allowing the beat to simmer before his verse hits. His delivery feels both intimate and indulgent, weaving personal reflections with a mix of vulnerability and luxury-driven storytelling. Lines like "You see me when I walk down on clouds / I see your big heart and I'm burning through it" showcase Thug’s ability to merge romantic sentiment with his signature melodic phrasing. The repetitive bridge of "Baby, baby, baby / Yeah, yeah, yeah" works as a hypnotic chant, reinforcing the emotional weight of the song while keeping the listener anchored in the central theme of love and devotion.

Narrative Depth and Personal Reflection

The second part of the track shifts into a more narrative-driven flow, where Thug’s verse becomes a tapestry of real-life experiences, relationships, and success. He blends reflections on loyalty, betrayal, and wealth with a casual, almost conversational cadence. From recounting interpersonal conflicts to highlighting his rise and lifestyle luxuries, he maintains a stream-of-consciousness style that feels genuine and unfiltered. The mention of giving his partner a Bentley, addressing infidelity, and asserting his gangster credibility creates a complex mix of personal introspection and boastful flair, keeping listeners engaged through both storytelling and bravado.

Thoughtful Production and Emotional Cohesion

Production-wise, the track’s slow yet heavy-hitting instrumental is a perfect canvas for both artists. The beat is expansive but not overwhelming, allowing Mariah’s vocals to soar and Thug’s verses to resonate without competing for space. The instrumental’s pacing mirrors the song’s lyrical journey from contemplative melancholy to confident reflection, demonstrating thoughtful sequencing and attention to emotional dynamics. This alignment between the instrumental and vocal performances ensures that the track remains cohesive, even as it navigates varied themes of love, loss, and success.

Bittersweet and Aspirational Outro

Closing with the outro, "Dreams, they really do come true," Thug leaves the listener with a sense of triumph and reflection. The repetition of the line emphasizes both the song’s aspirational message and its bittersweet undertone, acknowledging struggles while celebrating achievements. Overall, "Dreams Rarely Do Come True" is one of the most emotionally resonant tracks on UY SCUTI, highlighting Mariah The Scientist’s vocal prowess and Young Thug’s narrative versatility. It is a track that balances vulnerability with bravado, personal reflection with opulent fantasy, ultimately leaving a lasting impression on the album’s listener.

Listen To Young Thug Dreams Rarely Do Come True 

Young Thug Dreams Rarely Do Come True Lyrics Meaning Explained

The meaning of Dreams Rarely Do Come True by Young Thug is a reflection on the complexities of love, ambition, and personal growth amid the trappings of fame and wealth. The song explores vulnerability, loyalty, and emotional struggle, juxtaposed with indulgence, luxury, and street credibility. Through Mariah The Scientist’s introspective opening verse and Young Thug’s narrative-driven storytelling, the track examines the tension between desire and reality, the challenges of relationships, and the pursuit of dreams that often feel just out of reach. It captures both the bittersweet realities of life and the triumphs that come from perseverance, ultimately highlighting that even amidst struggle and chaos, personal fulfillment and love are attainable.

Emotional Opening by Mariah The Scientist

“Dreams Rarely Do Come True,” the 19th track on UY SCUTI, opens with Mariah The Scientist delivering an emotionally charged verse that immediately sets a reflective tone. She begins with vulnerability and apprehension, stating, "I'm so apprehensive, think I know what's coming," expressing anxiety about the future. She continues, "Think I know the difference between this and what I wanted," highlighting the tension between expectations and reality. Mariah then clarifies her emotional position, "Thinking I'm submissive when I'm just succumbing," distinguishing between choice and surrender. She critiques societal or personal standards of womanhood with, "Thinking that these are the makings of a perfect woman," while acknowledging self-awareness in, "Thinking that I know myself, I just know how it feel." Her verse reflects emotional numbness and isolation, as seen in, "Right before everything went numb / I feel like no one else / Like the sole one left and my neck piece one-of-one." She continues with introspection on stagnation and societal pressures, stating, "And I'm growing complacent / Everybody's failing expectations," yet she tempers this with a sense of resignation in, "But everything just isn't worth complaining about, baby / It's only your breath you're wasting." Mariah concludes with a reflection on impatience and lack of appreciation in relationships or society: "Cause everyone's impatient / No one even shows appreciation / And everyone around should know there's more to this life, baby."

Bridge as Emotional Punctuation

The bridge, where Young Thug repeats, "Baby, baby, baby / Yeah, yeah, yeah," serves as a melodic punctuation, emphasizing intimacy and devotion without literal narrative meaning.

Young Thug’s Romantic and Vulnerable Verse

Thug’s entrance follows the slow-building instrumental, beginning with the lines, "You see me when I walk down on clouds / I see your big heart and I'm burning through it," blending elevated lifestyle imagery with intense romantic passion. He continues, "Oh yeah, feeling a lil' complacent if you know what I mean / Aiming at your love with a beam," admitting some emotional ease while directing focus toward love. His commitment and trust are expressed in, "Said you ain't love no one but me / I left you at the door, so I had got you a key / You won't be locked out, oh, no." Reflecting on the journey from struggle to security, he asserts, "We had nothin' when we starting." Thug dismisses external influences repeatedly with, "Fuck my friends, fuck all my friends / Fuck my friends, I don't want nothin' but twins," highlighting prioritization of family and legacy. The verse closes with vulnerability, as he seeks affirmation of love: "Tell me if you love me right now / If you love me ever / If you love me forever / Tell me."

Narrative Depth and Lifestyle Reflection

The second part of the track shifts into narrative-driven storytelling, with Thug reflecting on wealth, relationships, and personal experiences. He opens with, "Who get no money, Spyder? Everybody I know," referencing the luxury Spyder car and wealth culture. The following lines, "The Bent' got all curtains, I fucked her, I was serviced / She almost made me feel like shit was worth it," juxtapose material indulgence with fleeting emotional satisfaction. He contrasts his partner’s modest preferences with luxury desires: "My bitch a boss, but she like small purses / You want a Bentley, one with no curtains," and expresses frank sexual intent in, "You bad, shawty, but you not curvy / We can just vibe, but that's on point, I'm tryna have sex with you." Acts of care are highlighted in, "I let her get a massage inside a Bentley coupe," while frustration at deception is conveyed in, "Why would you come and try to finesse me when I bought everything for two?" Thug acknowledges past mistakes but emphasizes loyalty, saying, "I was hittin' your friend, but I cut that ho off for you / Did it like a real nigga, solid, you didn't have a clue."

He further addresses public perception and personal disappointment: "Viral on the internet and now my baby mad / Acting like I lost my player card and went out bad," reflecting the strain fame places on relationships. Emotional conflict continues in, "We was talkin' 'bout somethin' serious and it just made me sad," while loyalty and betrayal are juxtaposed in, "Why would I cry over a bitch I gave to Gunna police-ass? / You was supposed to call me back, but I'm glad that you didn't." Thug acknowledges personal growth alongside indulgence in, "I was turned up and I got rich and that's it." He shares tragic experiences with friends, "My homie girl cheated with my other homie and he blew his brains," and illustrates vigilance and status signaling, "I seen the opps, so you know me, I had to flex my chain." He contrasts partners, asserting, "Told shawty that she ain't nothin' like my ho, she lame," and reflects on loyalty and identity in, "You said you dead and then you told and then they took your stand / She asked me am I still gangsta and I said, 'Probably.'"

Thug also blends playful metaphor and cultural influence, "I told lil' shawty, 'I'm black Ken and I need me a Barbie' / Fast forward, they dressin' like me in 2012," highlighting fashion impact and romance. He offers empowerment and stresses responsibility, "I can get you rich, but make sure you prevail," while acknowledging roots and danger, "I come from Jonesboro, South, they'll kill you if you tell." Morality and street credibility are juxtaposed in, "You don't take care of your kids, but if you're gangster, then you're real," followed by depictions of luxury travel and lifestyle, "Flyin' out to Paris, the Benz is where we land / I'm piped up so my hotel a resident'." Further reflections on wealth and status appear in, "Stamp the passport out of country with it / Serve your papa R&B, got all hits / Had enough of rockin' the black, I'm goin' rose kit / You got nothin' on your wrist and your arm and on your necklace / Yeah, you steady complaining, but ain't fixed yet / Half a mil' for the Richard, but the right time on my Rolex / Playin' by rich nigga rule and we can kick it / Up a lot of M's, I promise you my kids straight."

Aspirational and Reflective Outro

The outro, "Oh, woah, oh / Yeah, yeah, yeah, yeah, yeah, yeah, yeah / Dreams, they really do come true / Dreams, they really do come true," serves as an emotional release and encapsulates the central theme of aspiration, triumph, and reflection. Repeating "Dreams, they really do come true" reinforces the aspirational message while acknowledging the struggles and complexities navigated throughout the track. The song combines vulnerability, opulence, personal storytelling, and relational reflection, creating a layered and emotionally resonant listening experience.

Young Thug Dreams Rarely Do Come True Lyrics 

[Part I]

[Verse 1: Mariah the Scientist]

I'm so apprehensive, think I know what's coming

Think I know the difference between this and what I wanted

Thinking I'm submissive when I'm just succumbing

Thinking that these are the makings of a perfect woman

Thinking that I know myself, I just know how it feel

Right before everything went numb

I feel like no one else

Like the sole one left and my neck piece one-of-one

And I'm growing complacent

Everybody's failing expectations

But everything just isn't worth complaining about, baby

It's only your breath you're wasting

'Cause everyone's impatient

No one even shows appreciation

And everyone around should know there's more to this life, baby

[Bridge: Young Thug]

Baby, baby, baby

Yeah, yeah, yeah

[Verse 2: Young Thug]

You see me when I walk down on clouds

I see your big heart and I'm burning through it

Oh yeah, feeling a lil' complacent if you know what I mean

Aiming at your love with a beam

Said you ain't love no one but me

I left you at the door, so I had got you a key

You won't be locked out, oh, no

We had nothin' when we starting

Fuck my friends, fuck all my friends

Fuck my friends, fuck all my friends

Fuck my friends, I don't want nothin' but twins

Fuck my friends, fuck all my friends

Fuck my friends, fuck all my friends

Tell me if you love me right now

If you love me ever, if you love me ever

If you love me forever, if you love me forever

Tell me

[Part II]

[Verse: Young Thug]

Who get no money, Spyder? Everybody I know

The Bent' got all curtains, I fucked her, I was serviced

She almost made me feel like shit was worth it

My bitch a boss, but she like small purses (Yeah, yeah)

You want a Bentley, one with no curtains (Woah, woah)

You bad, shawty, but you not curvy

We can just vibe, but that's on point, I'm tryna have sex with you

I let her get a massage inside a Bentley coupe

Why would you come and try to finesse me when I bought everything for two? (Yeah)

I was hittin' your friend, but I cut that ho off for you

Did it like a real nigga, solid, you didn't have a clue

Viral on the internet and now my baby mad

Acting like I lost my player card and went out bad

We was talkin' 'bout somethin' serious and it just made me sad

Why would I cry over a bitch I gave to Gunna police-ass?

You was supposed to call me back, but I'm glad that you didn't

I was turned up and I got rich and that's it

My homie girl cheated with my other homie and he blew his brains

I seen the opps, so you know me, I had to flex my chain

Told shawty that she ain't nothin' like my ho, she lame

You said you dead and then you told and then they took your stand (Woah)

She asked me am I still gangsta and I said, "Probably"

I told lil' shawty, "I'm black Ken and I need me a Barbie" (Hey)

Fast forward, they dressin' like me in 2012 (Hey)

I can get you rich, but make sure you prevail

I come from Jonesboro, South, they'll kill you if you tell

You don't take care of your kids, but if you're gangster, then you're real

Flyin' out to Paris, the Benz is where we land

I'm piped up so my hotel a resident'

Huh, stamp the passport out of country with it

Serve your papa R&B, got all hits

Had enough of rockin' the black, I'm goin' rose kit

You got nothin' on your wrist and your arm and on your necklace

Yeah, you steady complaining, but ain't fixed yet

Half a mil' for the Richard, but the right time on my Rolex

Playin' by rich nigga rule and we can kick it

Up a lot of M's, I promise you my kids straight

[Outro: Young Thug]

Oh, woah, oh

Yeah, yeah, yeah, yeah, yeah, yeah, yeah

Dreams, they really do come true

Dreams, they really do come true

(Dreams, they really do come true)

(Dreams, they really do come true)