Clipse POV Meaning and Review

Introduction: Clipse Return with Razor-Sharp Focus

“P.O.V.” by Clipse, featuring Tyler, The Creator, is a cold, calculated standout from Let God Sort Em Out and a reminder that the Virginia duo hasn’t lost a step. Produced by Pharrell Williams, the beat is a piano-driven slow-burner, eerie in tone but packed with swagger. The drums are sparse but heavy, letting the emcees breathe fire without being overpowered by the production. Pusha T opens with authority, delivering the hook and first verse like he’s been waiting to step on necks again. The atmosphere is steeped in luxury and criminal nostalgia, creating a "grown man coke rap" aesthetic that only Clipse can truly own.

Pusha T: Still the Apex Predator

Pusha’s opening verse is peak bravado, fusing critiques of modern clout-chasing with images of opulence and underworld dealings. He mocks the fake wealth of today’s “browsingaires,” firing off lines like, “You stream kings but you never fit a crowd in there,” a cutting jab at industry plants and viral rappers who lack real-world draw. Pusha’s tone is icy and focused. He’s a veteran surveying a game he helped mold and now barely recognizes. His punchlines are subtle but surgical, setting a high bar before handing off the baton.

Tyler, The Creator: Controlled Chaos

Tyler, The Creator enters with chaotic charm, spinning clever metaphors and switching flows with ease. He contrasts his goofy “Flower Boy” persona with the sharp sting of real consequences: “I'm not a tough guy / I'm a Flower Boy, them bees get you stung.” Tyler doesn’t just guest rap, he competes. His verse is riddled with flexes like “That number ain't bread to me / That million is crumbs” and sharp self-aware commentary, touching on fame, creative ownership, and racial identity. He serves as the creative foil to Pusha’s grim discipline, offering flair without compromising the track’s gravitas.

No Malice: The Moral Compass

Then comes No Malice, sounding more grounded than ever. His verse adds a spiritual weight to the track, reflecting on his evolution with a calm menace: “If I lie to myself, I can sell it to me.” While Pusha and Tyler are bombastic, Malice takes a quieter, more introspective route, referencing addiction, duality, and moral struggle with poetic restraint. His line “Niggas’ chains look just like oppression to me” hits hard, offering one of the most poignant critiques of materialism in recent rap. It’s clear he hasn’t returned for clout but for clarity and maybe closure.

Final Verdict: A Masterclass in Lyricism

“P.O.V.” is a masterclass in elite lyricism. It captures three generations of rap greatness: Pusha the cold tactician, Tyler the genre-bending disruptor, and Malice the spiritual conscience. Pharrell's production is minimal yet majestic, providing the perfect backdrop. As a snapshot of Clipse’s current state, it’s thrilling—mature, uncompromising, and still far ahead of the curve. If Let God Sort Em Out is a war cry, “P.O.V.” is the first missile, and it lands with precision.

Listen To Clipse POV Featuring 

Clipse POV Lyrics Meaning Explained 

The meaning of POV by Clipse is a layered reflection on legacy, authenticity, and the double-edged nature of power and perception. Framed through the lens of lived experience, the song offers three sharply distinct yet thematically unified perspectives from Pusha T, Tyler, The Creator, and Malice. Each verse serves as a personal "point of view" that explores the intersections of luxury and crime, self-awareness and survival, artistic integrity and public image. Set against a haunting, minimalistic beat, the track doesn’t just recount past glories or boast about status, it interrogates the cost of success, the illusion of freedom, and the internal conflicts that come with stepping away from the streets while still being shaped by them.

Chorus: Pusha T's Perspective

In the chorus, Pusha T kicks off with “P.O.V., kilos in my Maybach”, a line that immediately sets the tone of luxury contrasted with illicit hustle. He’s narrating from his own point of view, quite literally, transporting kilos of cocaine in a luxury vehicle. The next line, “Take Amtrak down south then she flies back”, reflects a common trafficking tactic: sending couriers via train to avoid suspicion while having them return via plane. “My connect has ponytails tied back” likely alludes to a female drug supplier who is calm, composed, and professional, in contrast to stereotypical portrayals.

“I just hit 6 mil behind Tyvek” connects drug success with wealth hidden behind construction material (Tyvek), suggesting the hidden nature of his operation or laundering methods. He critiques superficial creatives with “They content create, I despise that / I create content then they tries that”, drawing a line between gimmicky social media influencers and authentic artistic innovators. The line “Run these jewels, there's rules” may reference the rap group Run The Jewels, but more directly ties into the code of the streets. “I don't buy back / I've topped all these lists / Where's my prize at?” implies frustration at being overlooked despite critical acclaim and industry dominance.

Verse 1: Pusha T

In Pusha’s verse, he addresses fame’s fleeting nature: “All I see is 60 day stars and 20 year thousandaires”, mocking those with short-term celebrity or minimal financial success. “Not enough shoppin', whole lot of browsingaires” ridicules people pretending to have wealth while merely window-shopping. He calls attention to his ability to stay relevant: “My reinvention, I know you thinkin' how's it fair / You stream kings but you never fit a crowd in there”, a jab at streaming-era rappers who lack real-world fanbases.

The line “Supreme team, parallels when the powder clears” compares his crew to the notorious Supreme Team drug syndicate. “You Zeus network niggas, you hear me loud and clear” derides artists who appear on low-budget black reality TV. “Ghostface with the wrist, bird falconaire / Willy Falcon, trunk full of talcum here” pairs Ghostface Killah’s luxury braggadocio with a reference to real-life drug lord Willy Falcon. “Talcum” doubles as slang for cocaine. “Shotgun wit’ ya ex, feels like Malcolm's near” references Malcolm X’s assassination, evoking betrayal even in intimate settings. He wraps with “Bypass M.I.A., too much crowd in there / I spent summers wit' connects, love that mountain air”, avoiding tourist-heavy Miami in favor of discreet supplier meet-ups.

Verse 2: Tyler, The Creator

Tyler, The Creator’s verse opens with “Call me Mr. Brella how I weather the storm”, a metaphor for resilience. "Mr. Brella" is short for umbrella, a symbol Tyler often uses when referencing emotional turmoil and weather motifs, as in his feature on “After The Storm.” “F40, 3 milly / I peel off like an orange” flexes his Ferrari F40, playing on “peeling off” both as speeding and removing orange skin.

He pokes fun at lawsuits from minor collaborators with “I got deaf and blind bitches trying to see what it do / Little feature, niggas threaten to sue me?”, a commentary on clout-chasers. “Tell your lawyer to set the fee” shrugs it off. “LaFerrari doors open up like its therapy” uses the upward-swinging doors as a metaphor for emotional release.

Tyler continues with “That number ain't bread to me / That million is crumbs / You niggas is bums”, belittling those who think a million is a lot. “I'm not a tough guy / I'm a Flower Boy, them bees get you stung” nods to his Flower Boy album, portraying himself as gentle but not to be messed with. “They will buzz for me” affirms his loyal following. “You tricky niggas puzzle me” shows his disdain for dishonest people. He flips gender and financial expectations with “I could never buy a bitch a Birkin cause she fucking me”, rejecting transactional love. “I got homes I ain't sleep in, the options” further shows his excess.

He shouts out Pusha with “My nigga Push keep dirty white moving like mosh pits”, where “dirty white” is cocaine and also evokes chaotic mosh pits. “They watching / I'm like white bitches the way I pop shit” uses “pop” as both a slang term and a reference to pop culture. “I need God to play the lead in my biopic” claims only a divine figure is worthy of portraying his life.

He tackles themes of race and fame in “The curse of the zeros / When you become the Devil or the tap dancing negro”, pointing to the pressures Black artists face in wealthy spaces. “I came to terms that I'ma probably outgrow my heroes” suggests disillusionment with figures he once idolized, possibly Kanye West.

Verse 3: Malice

Malice’s verse begins with “If they had to weigh the operation, call it obese”, describing the massive scale of his drug dealings. “I mix it like Mahomes, then I tell 'em go deep” is a triple entendre: a reference to Patrick Mahomes’ mixed heritage and quarterbacking style, and drug lingo for preparation and distribution. “The rag top drop, playin’ hide and go seek” evokes a convertible used for stealthy drug movement. “The Bentley leather match the piping, that's the Motif” shows his obsession with luxury detail.

He reflects on his origins with “Just to think I built a rap career off an oz”, referring to an ounce of cocaine. “I'm watchin’ new niggas rap just to O.D.” criticizes those who fake drug culture in their lyrics. “If I didn't give you both sides, I wouldn't be me” asserts his commitment to truth. He adds “I was the only one to walk away and really be free”, referencing his withdrawal from both the drug game and the rap spotlight. “I can open up my closet with a skeleton key” plays on the phrase “skeletons in the closet.” “If I lie to myself, I can sell it to me” critiques self-deception. “I done sung along with rappers I never believed” attacks inauthenticity in the industry.

The powerful lines “Came back for the money, that's the Devil in me / Had to hide it from the church, that's the Jekyll in me” reveal his internal struggle between greed and faith. The first bar echoes 1 Timothy 6:10, while the second nods to Dr. Jekyll and Mr. Hyde. He ends with “I never thought twice what pressure would be / Cause niggas chains look just like oppression to me”, offering a sharp critique of materialism in hip-hop. Chains symbolize wealth but also evoke slavery, suggesting that the culture may be trapped in a different kind of bondage.

Clipse POV Featuring Lyrics

[Chorus: Pusha T]

P.O.V., kilos in my Maybach

Take Amtrak down south then she flies back

My connect has ponytails tied back

I just hit 6 mil behind Tyvek

They content create, I despise that

I create content then they tries that

Run these jewels, there's rules

I don't buy back

I've topped all these lists

Where's my prize at?

[Verse 1: Pusha T]

All I see is 60 day stars and 20 year thousandaires

Not enough shoppin', whole lot of browsingaires

My reinvention, I know you thinkin' how's it fair

You stream kings but you never fit a crowd in there

Supreme team, parallels when the powder clears

I seen things that I'm still not even proud to share

You Zeus network niggas, you hear me loud and clear

Get these fifty five hundred a hosting niggas out of here

Sand color Rolls Royce, we like Saudis here

The only Audi here is driven by my au pair

Ghostface with the wrist, bird falconaire

Willy Falcon, trunk full of talcum here

Shotgun wit' ya ex, feels like Malcolm's near

Send a hit though a text, ain't no shoutin' here

Bypass M.I.A., too much crowd in there

I spent summers wit' connects, love that mountain air

[Chorus: Pusha T]

P.O.V., kilos in my Maybach

Take Amtrak down south then she flies back

My connect has ponytails tied back

I just hit 6 mil behind Tyvek

They content create, I despise that

I create content then they tries that

Run these jewels, there's rules

I don't buy back

I've topped all these lists

Where's my prize at?

[Verse 2: Tyler, The Creator]

Yeah, OK

Call me Mr. Brella how I weather the storm F40, 3 milly

I peel off like an orange

I got deaf and blind bitches trying to see what it do

Little feature, niggas threaten to sue me?

Tell your lawyer to set the fee

LaFerrari doors open up like its therapy

That number ain't bread to me

That million is crumbs

You niggas is bums

I'm not a tough guy

I'm a Flower Boy, them bees get you stung

Oh, nah, nah, nah

Yeah, they will buzz for me

You tricky niggas puzzle me

I could never buy a bitch a Birkin cause she fucking me

I got homes I ain't sleep in, the options

My nigga Push keep dirty white moving like mosh pits

They watching

I'm like white bitches the way I pop shit

I need God to play the lead in my biopic

The curse of the zeros

When you become the Devil or the tap dancing negro

I came to terms that I'ma probably outgrow my heroes

Come get with me

[Chorus: Pusha T]

P.O.V., kilos in my Maybach

Take Amtrak down south then she flies back

My connect has ponytails tied back

I just hit 6 mil behind Tyvek

They content create, I despise that

I create content then they tries that

Run these jewels, there's rules

I don't buy back

I've topped all these lists

Where's my prize at?

[Verse 3: Malice]

If they had to weigh the operation, call it obese

I mix it like Mahomes, then I tell 'em go deep

The rag top drop, playin' hide and go seek

The Bentley leather match the piping, that's the Motif

Just to think I built a rap career off an oz

I'm watchin' new niggas rap just to O.D

If I didn't give you both sides, I wouldn't be me

I was the only one to walk away and really be free

As far as I'm concerned, I do really be he

I can open up my closet with a skeleton key

If I lie to myself, I can sell it to me

I done sung along with rappers I never believed

Came back for the money, that's the Devil in me

Had to hide it from the church, that's the Jekyll in me

I never thought twice what pressure would be

Cause niggas chains look just like oppression to me

[Chorus: Pusha T]

P.O.V., kilos in my Maybach

Take Amtrak down south then she flies back

My connect has ponytails tied back

I just hit 6 mil behind Tyvek

They content create, I despise that

I create content then they tries that

Run these jewels, there's rules

I don't buy back

I've topped all these lists

Where's my prize at?