Westside Gunn BRIKOLAI VOLKOFF Meaning and Review

Westside Gunn’s "BRIKOLAI VOLKOFF" opens with a delicate, haunting piano that immediately sets a slow-burning, ethereal tone. The airy atmosphere is accentuated by adlibs that layer themselves seamlessly into the soundscape, giving the track a sense of controlled chaos from the very start. Gunn’s trademark voice enters confidently, establishing dominance while maintaining a cinematic quality that reflects his Griselda-era aesthetic. The production, courtesy of Harry Fraud, allows every element from the piano to the subtle percussion to breathe, providing a foundation that is as moody as it is gripping.

Lyrical Bravado

Lyrically, Westside Gunn dives straight into his vivid street narratives, establishing himself as a figure both feared and respected. In his opening verse, lines like "Ayo, call me God for short / I'm from the East side where we shoot shit" immediately communicate his unflinching bravado and loyalty to his roots. His storytelling is dense, packed with sharp imagery and references to the hustler lifestyle, yet he maintains a sense of style and wit that elevates the lyrics beyond mere grit. Adlibs punctuate key moments, amplifying the chaotic energy and emphasizing his larger-than-life persona.

Collaboration and Hooks

Stove God Cooks delivers the chorus and second verse with equal intensity, blending aggression and swagger effortlessly. The hook, repeating "You broke, you pussy", is simple yet brutally effective, acting as both a taunt and a statement of supremacy. Cooks’ verse continues the street-centric narrative with precision, painting vivid images of drug dealings, wealth, and danger, while incorporating luxury brand mentions and pop culture nods. The interplay between Gunn and Cooks is natural and dynamic, providing the track with a sense of layered storytelling and collaborative chemistry that feels effortless.

Production and Sound Design

Production-wise, the track thrives on contrast. The haunting piano and slow tempo allow the aggression and intensity of the verses to stand out even more. The chaotic adlibs, gunshot sound effects, and layered percussion add tension without overwhelming the listener, creating a cinematic soundscape that matches the lyrical content. Each beat hit feels intentional, emphasizing moments of violence, triumph, or caution, while the spacing in the mix ensures clarity in every line. Harry Fraud’s touch is unmistakable, giving the track both elegance and grit simultaneously.

BRIKOLAI VOLKOFF Review

"BRIKOLAI VOLKOFF" is a masterclass in modern street rap, blending Westside Gunn’s signature narrative style with Stove God Cooks’ hard-hitting energy. The track balances atmosphere, lyricism, and production perfectly, making it a standout on Heels Have Eyes 2. From the slow, airy intro to the cinematic outro, the song maintains a tense, immersive vibe while never losing momentum. It is a testament to Griselda’s continued dominance in the rap game and a showcase of Gunn’s ability to turn crime-laden narratives into high art.

Listen to Westside Gunn BRIKOLAI VOLKOFF  

Westside Gunn BRIKOLAI VOLKOFF Lyrics Meaning Explained 

The meaning of BRIKOLAI VOLKOFF by Westside Gunn is a vivid exploration of street life, power, and dominance, blending luxury, violence, and personal legacy into a cinematic narrative. The track reflects Gunn’s signature Griselda aesthetic, where opulent imagery and high-end fashion coexist with tales of drug dealing, loyalty, and survival in the streets of Buffalo. Through intricate wordplay, references to pop culture, and raw depictions of conflict, the song positions Gunn and his collaborators as both storytellers and rulers of their world, asserting authority while maintaining a carefully crafted artistic persona. Every line, from the adlibs to the detailed verses, reinforces the tension between elegance and brutality that defines the track.

Intro and Atmosphere

The intro of BRIKOLAI VOLKOFF immediately establishes an aggressive and cinematic atmosphere. Westside Gunn’s repeated adlibs, “Rrah, rrah, rrah, rrah, rrah, rrah (Grrt, la música de Harry Fraud) / Yeah, yeah (Grrt, grrt),” serve as both a signature sound and a signal of dominance. The “Grrt” references gunfire, a recurring motif in Griselda productions, while “la música de Harry Fraud” acknowledges the producer’s cinematic touch. Gunn declares himself a “Fuckin' boogeyman, nigga,” positioning himself as an intimidating figure in the streets. Repetition continues with “Rrah, rrah, rrah, rrah, rrah, rrah, rrah, rrah / Grrt” and “Rrah, rrah, rrah, rrah, rrah, rrah, rrah, rrah, rrah (Greatest curator of all time, nigga) / Grrt (Super FlyGod),” emphasizing his presence. The line “Greatest curator of all time” references Gunn’s reputation for consistently delivering high-quality projects and cultivating talent, while “Super FlyGod” nods to his alter ego inspired by the 1972 film Super Fly, blending street credibility with luxury lifestyle influence.

Verse 1 Analysis

In the first verse, Westside Gunn immediately asserts his authority: “Ayo, call me God for short,” signaling his dominance and influence. He roots himself in his environment with “I'm from the East side where we shoot shit (Rrah, rrah, rrah, rrah, rrah, rrah, rrah, rrah),” referencing Buffalo, NY, and the street culture there. Lines like “If he gotta go, he gotta go / In a pot deep, elbows touchin'” refer to cooking crack cocaine in crowded conditions, highlighting the intensity of his hustle. The lyric “Tony figured for a joke for the last rock, now you're on crutches (Ah)” suggests a betrayal or robbery gone wrong, resulting in injury. Gunn continues with “'26 GT, I did a hundred just to wake it up (Skrrt),” referencing a vintage or luxury car driven at high speed. Finally, “Mayo jars had the yay twirlin', I had to shake it up (Ah, ha-ha-ha-ha)” uses “yay” as slang for cocaine and “mayo jars” as a metaphor for storing drugs, illustrating his direct involvement in the drug trade.

Chorus and Collaboration

Stove God Cooks’ contributions in the chorus and second verse reinforce dominance and wealth. The repeated hook, “You broke, you pussy (Woo) / If they ask you if I'm still cookin', tell 'em / 'You broke, you pussy,'” functions as both a taunt and a statement of supremacy. The line “But I can get it to you whole, thirty-six O's” quantifies the scale of his operation, with “O’s” referring to ounces of product. He asserts boundaries and respect with “If you touch the hem of the Louis coat / Bitch, you owe me,” tying street credibility to luxury symbols. In his verse, Cooks continues with threats and strategic advice: “If they ask you who run shit, you better have it set up / Go to war wi You better have your bread up / Fuck around and get wet up,” warning rivals that money and preparedness are essential to survival. “Put so much money on your top, Pac can't help you keep your fuckin' head up” references Tupac Shakur, illustrating that wealth cannot protect from violence.

Luxury and Street Life

Cooks also highlights the juxtaposition of luxury and street life: “Amalfi Coast in the big row / We was tryna buy 30s, said I only got ten on me,” showing travel and opulence while still engaged in drug dealing. He tests product with “Half an ounce in the water just to test it,” and courtside imagery with “Courtside, powder on the triple lashes” emphasizes blending high-class environments with illegal activity. Lines like “Footprints on a brick, I ain't lost a step / All these killer rappers, I might put 'em together and wear 'em to the Met” demonstrate his experience and confidence, using the metaphor of art at the Met to assert dominance over rivals.

Outro and Violent Imagery

The outro, performed by Stove God Cooks and Eastside Flip, continues the theme of violence, wealth, and street credibility. Lines such as “Bitch, I'm Luther Vandross with a brick / Six hundred on my neck” juxtapose style and smoothness with the brutal realities of dealing drugs. “I got a cross on my stomach from that random old shooting” references past trauma, while “One for the head, other chest and the leg” and “.45 slugs comin' out the chamber quick / Thirty fuckin' rounds as I put 'em straight to sleep” depict lethal efficiency. The final line, “F-L-I-P, fuck, if you know the name / OG Eastside Flip, boy, I'll blow your, blow your brain,” references the rapper Eastside Flip while asserting dominance and reinforcing the violent, uncompromising tone of the track.

Westside Gunn BRIKOLAI VOLKOFF Lyrics 

[Intro: Westside Gunn]

Rrah, rrah, rrah, rrah, rrah, rrah (Grrt, la música de Harry Fraud)

Yeah, yeah (Grrt, grrt)

Fuckin' boogeyman, nigga

Rrah, rrah, rrah, rrah, rrah, rrah, rrah, rrah

Grrt

Rrah, rrah, rrah, rrah, rrah, rrah, rrah, rrah, rrah (Greatest curator of all time, nigga)

Grrt (Super FlyGod)

[Verse 1: Westside Gunn & Stove God Cooks]

Ayo, call me God for short

I'm from the East side where we shoot shit (Rrah, rrah, rrah, rrah, rrah, rrah, rrah, rrah)

If he gotta go, he gotta go

In a pot deep, elbows touchin'

Tony figured for a joke for the last rock, now you're on crutches (Ah)

'26 GT, I did a hundred just to wake it up (Skrrt)

Mayo jars had the yay twirlin', I had to shake it up (Ah, ha-ha-ha-ha)

[Chorus: Stove God Cooks]

You broke, you pussy (Woo)

If they ask you if I'm still cookin', tell 'em

"You broke, you pussy" (Tell 'em, don't tell 'em nothin')

If they ask you if I'm still cookin', tell 'em (Woo, no, no, no, no)

"You fake, you pussy" (Brrt, no, no, no, no, no, no, no, no, no, no)

If they ask you if I'm still cookin', tell 'em, "No" (Woo)

But I can get it to you whole, thirty-six O's

If you touch the hem of the Louis coat

Bitch, you owe me (Woo)

Bitch, you owe me (Woo)

[Verse 2: Stove God Cooks]

If they ask you who run shit, you better have it set up (You better said me)

Go to war wi— You better have your bread up (Brrt, bap, bap, bap)

Fuck around and get wet up (Brrt, bap, bow)

Put so much money on your top, Pac can't help you keep your fuckin' head up (Ha-ha-ha-ha)

Amalfi Coast in the big row

We was tryna buy 30s, said I only got ten on me (I did, yeah)

Believed it when they said they didn't owe me (Woo)

Why would I be talkin' to them niggas? I was droppin' work on they big homie (Woo)

Half an ounce in the water just to test it (Keep goin')

Courtside, powder on the triple lashes (Keep goin')

Footprints on a brick, I ain't lost a step

All these killer rappers, I might put 'em together and wear 'em to the Met (Ah, huh, Stove)

[Chorus: Stove God Cooks]

You broke (Brrt), you pussy (Bap, bap, bap, woo)

If they ask you if I'm still cookin', tell 'em

"You broke, you pussy" (Tell 'em, don't tell 'em nothin')

If they ask you if I'm still cookin', tell 'em (Woo, no, no, no, no)

"You fake, you pussy" (Brrt, bap, bap)

If they ask you if I'm still cookin', tell 'em, "No" (Woo)

But I can get it to you whole (Get it), thirty-six O's

If you touch the hem of the Louis coat

Bitch, you owe me (Woo)

[Outro: Stove God Cooks & Eastside Flip]

Bitch, I'm Luther Vandross with a brick

Six hundred on my neck

Fuck wrong with these niggas? Griselda (Griselda)

I got a cross on my stomach from that random old shooting

Niggas tryna kill me, what the fuck I'm doing?

Tryna get to it, got me hit in the leg

Tryna take me out, make your pussy ass mad

One for the head, other chest and the leg

Baby girl wanna fuck the best, that's too bad

Talkin' to my motherfuckin' nigga, get you hit

.45 slugs comin' out the chamber quick

I should've told you now that you don't want no beef

Solitary side, holler nigga in the streets

When you play a 9, nigga, you gon' feel the heat

Thirty fuckin' rounds as I put 'em straight to sleep

F-L-I-P, fuck, if you know the name

OG Eastside Flip, boy, I'll blow your, blow your brain